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Canaletto Ricevimento del'ambasciatore imperiale al palazzo Ducale (mk21) oil painting


Ricevimento del'ambasciatore imperiale al palazzo Ducale (mk21)
Painting ID::  22779
Canaletto
Ricevimento del'ambasciatore imperiale al palazzo Ducale (mk21)
Olio su tela,184 x 265 cm Collezione Aldo Crespi,Milano

   
   
     

Canaletto Il ricevimento del'ambasciatore francese al Palazzo Ducale (mk21) oil painting


Il ricevimento del'ambasciatore francese al Palazzo Ducale (mk21)
Painting ID::  22780
Canaletto
Il ricevimento del'ambasciatore francese al Palazzo Ducale (mk21)
1727-1729 Olio su tela,181 x 259 cm Eremitage,San Pietroburgo

   
   
     

Canaletto Ritorno del bucintoro al Molo nel giorno dell'Ascensione dopo Il (mk21) oil painting


Ritorno del bucintoro al Molo nel giorno dell'Ascensione dopo Il (mk21)
Painting ID::  22781
Canaletto
Ritorno del bucintoro al Molo nel giorno dell'Ascensione dopo Il (mk21)
1729 Olio su tela 187 x 259 cm Museo A.S.Puskin,Mosca

   
   
     

Canaletto Regata sul Canal Grande (mk21) oil painting


Regata sul Canal Grande (mk21)
Painting ID::  22782
Canaletto
Regata sul Canal Grande (mk21)
1733-1734 Olio su tela.77.2 x 125.7 cm Royal Collection.Windsor Castle,Windsor

   
   
     

Canaletto Rome Ruins of the Forum looking towards the Capitol (mk25) oil painting


Rome Ruins of the Forum looking towards the Capitol (mk25)
Painting ID::  24083
Canaletto
Rome Ruins of the Forum looking towards the Capitol (mk25)
1742

   
   
     

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     Canaletto
     Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

     Related Artists::.
     | Francis Sartorius | Niko Pirosmanashvili | Atkinson Grimshaw |


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