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Canaletto Il Canal Grande da campo S Vio (mk21) oil painting


Il Canal Grande da campo S Vio (mk21)
Painting ID::  22753
Canaletto
Il Canal Grande da campo S Vio (mk21)
1730 ca Olio su tela 50 x 70 cm Pinacoteca di Brera,Milano

   
   
     

Canaletto Scala dei Gigantt (mk21) oil painting


Scala dei Gigantt (mk21)
Painting ID::  22754
Canaletto
Scala dei Gigantt (mk21)
1765 Olia su tela 42 x 29 cm Collezione Private,Citta di Messico

   
   
     

Canaletto L'abbazia di Westminster con la processione dei cavalieri dell'Ordine del Bagno (mk21) oil painting


L'abbazia di Westminster con la processione dei cavalieri dell'Ordine del Bagno (mk21)
Painting ID::  22755
Canaletto
L'abbazia di Westminster con la processione dei cavalieri dell'Ordine del Bagno (mk21)
1749 Olio su tela,99 x 101.5 cm Westminster ABey Mueseum,Wesminster Abbey,Londra

   
   
     

Canaletto Cappella del'Eton College a Windsor (mk21) oil painting


Cappella del'Eton College a Windsor (mk21)
Painting ID::  22756
Canaletto
Cappella del'Eton College a Windsor (mk21)
1747 Olio su tela,61.5 x 107.5 cm The National Gallery,Londra

   
   
     

Canaletto (in alto a destra) Giambattista Piazzetta e Giovanni Battista Cimaroli (mk21) oil painting


(in alto a destra) Giambattista Piazzetta e Giovanni Battista Cimaroli (mk21)
Painting ID::  22757
Canaletto
(in alto a destra) Giambattista Piazzetta e Giovanni Battista Cimaroli (mk21)
Monumento funebre fantastico per Lord Sommers 1726-1727 ca Olio su tela,279.4 x 142.2 cm Birmingham Museum and Art Gallery (Prestito Privato)Birmingham

   
   
     

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     Canaletto
     Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

     Related Artists::.
     | Pieter Cornelisz. van Rijck | Louis Gauffier | Bernardino Fungai |


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