|
|
|
Venice:The Basin of San Marco on Ascension Day Painting ID:: 33743
|
Canaletto Venice:The Basin of San Marco on Ascension Day mk86
c.1735-1741
Oil on canvas
121.9x182.8cm
London,National Gallery
|
|
|
|
|
|
|
|
The Courtyard of the Castle of Warwick Painting ID:: 33791
|
Canaletto The Courtyard of the Castle of Warwick mk86
1751
Oil on canvas
75x122cm
Warwick
|
|
|
|
|
|
|
|
Regatta on the Canale Grande Painting ID:: 33792
|
Canaletto Regatta on the Canale Grande mk86
after 1735
Oil on canvas
117x186cm
Oil on canvas
117x186cm
London,National Gallery
|
|
|
|
|
|
|
|
Venice:Campo San Vital and Santa Maria della Carita Painting ID:: 33793
|
Canaletto Venice:Campo San Vital and Santa Maria della Carita mk86
c.1726/27
Oil on canvas
123.8c162.9cm
London,National Gallery
|
|
|
|
|
|
|
|
Marine painting Painting ID:: 37855
|
Canaletto Marine painting mk129
Oil on canvas
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Canaletto
|
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings. |
Related Artists::. | BURGOS, Juan de | Mariano Fortuny y Marsal | WILDENS, Jan | |
|