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La Chiesa e la scuola della Carita,dal laboratorio di marmi di S.Vitale (mk21)
Painting ID:: 22758
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Canaletto
La Chiesa e la scuola della Carita,dal laboratorio di marmi di S.Vitale (mk21)
1725-1726
Olio su tela,124 x 1726
Olio su tela,124 x 163 cm
The National Gallery,Londra
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Fonteghetto della farina (mk21)
Painting ID:: 22762
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Canaletto
Fonteghetto della farina (mk21)
1727-1729
Olio su tela,66 x 112 cm
Raccolta Giustiniani Recanati,Venezia
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Piazza S.Marco con la basilica di fronte (mk21)
Painting ID:: 22763
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Canaletto
Piazza S.Marco con la basilica di fronte (mk21)
1723 ca
Olio su tela,140.5 x 204.5 cm
Museo Thyssen-Bornemisza,Madrid
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Northumberland House a Londra (mk21)
Painting ID:: 22764
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Canaletto
Northumberland House a Londra (mk21)
1752
Olio su tela,84 x 137 cm
Collezione del Duca di Northumberland,Londra
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Paesaggio con rovine (mk21)
Painting ID:: 22766
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Canaletto
Paesaggio con rovine (mk21)
1740
Olio su tela 87.5 x 120.5 cm
Palazzo Vecchio,Firenze
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Canaletto
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Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings. |
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Related Artists::.
| mark rothko | gittadini | Adolph Tidemand | |
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