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Canaletto Padua: The Prato della Valle with Santa Giustinia and the Church of Misericordia (sheet 1) df oil painting


Padua: The Prato della Valle with Santa Giustinia and the Church of Misericordia (sheet 1) df
Painting ID::  5679
Canaletto
Padua: The Prato della Valle with Santa Giustinia and the Church of Misericordia (sheet 1) df
c. 1740 Pen and ink on two sheets of paper, 271 743 mm Royal Collection, Windsor

   
   
     

Canaletto Padua: The Prato della Valle with Santa Giustinia and the Church of Misericordia (sheet 2) cfsd oil painting


Padua: The Prato della Valle with Santa Giustinia and the Church of Misericordia (sheet 2) cfsd
Painting ID::  5680
Canaletto
Padua: The Prato della Valle with Santa Giustinia and the Church of Misericordia (sheet 2) cfsd
c. 1740 Pen and ink on two sheets of paper, 271 743 mm Royal Collection, Windsor

   
   
     

Canaletto Mestre  fg oil painting


Mestre fg
Painting ID::  5681
Canaletto
Mestre fg
1740-42 Etching, 299 x 428 mm British Museum, London

   
   
     

Canaletto Imaginary View of Venice  dfgd oil painting


Imaginary View of Venice dfgd
Painting ID::  5682
Canaletto
Imaginary View of Venice dfgd
1740-42 Etching, 295 x 425 mm British Museum, London

   
   
     

Canaletto The Piazzetta: Looking North, the Campanile under Repair bdr oil painting


The Piazzetta: Looking North, the Campanile under Repair bdr
Painting ID::  5683
Canaletto
The Piazzetta: Looking North, the Campanile under Repair bdr
1745 Pen and ink with wash on paper, 425 x 292 mm Royal Collection, Windsor

   
   
     

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     Canaletto
     Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

     Related Artists::.
     | Stefan Luchian | RING, Pieter de | Francois Boucher |


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