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Canaletto The Piazzetta to the South f oil painting


The Piazzetta to the South f
Painting ID::  5669
Canaletto
The Piazzetta to the South f
1720s Drawing Royal Collection, Windsor

   
   
     

Canaletto The Grand Canal Seen from Rialto toward the North ff oil painting


The Grand Canal Seen from Rialto toward the North ff
Painting ID::  5670
Canaletto
The Grand Canal Seen from Rialto toward the North ff
1725 Pen and brown ink on paper Private collection

   
   
     

Canaletto The Grand Canal near the Ponte del Rialto f oil painting


The Grand Canal near the Ponte del Rialto f
Painting ID::  5671
Canaletto
The Grand Canal near the Ponte del Rialto f
c. 1725 Pen and brown ink with red and black chalk on paper Ashmolean Museum, Oxford

   
   
     

Canaletto The Piazzetta Looking towards S. Maria della Salute ff oil painting


The Piazzetta Looking towards S. Maria della Salute ff
Painting ID::  5672
Canaletto
The Piazzetta Looking towards S. Maria della Salute ff
1725-30 Pen and ink over pencil, 233 x 182 mm Royal Collection, Windsor

   
   
     

Canaletto The Piazzetta Looking towards the Torre dell Orologio oil painting


The Piazzetta Looking towards the Torre dell Orologio
Painting ID::  5673
Canaletto
The Piazzetta Looking towards the Torre dell Orologio
1725-30 Pen and ink over pencil, 234 x 180 mm Royal Collection, Windsor

   
   
     

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     Canaletto
     Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

     Related Artists::.
     | Lear, Edward | Gerhard von Kugelgen | Cornelis de Baellieur |


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