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Canaletto London: the Old Horse Guards from St James s Park d oil painting


London: the Old Horse Guards from St James s Park d
Painting ID::  5653
Canaletto
London: the Old Horse Guards from St James s Park d
1749 Oil on canvas, 117 x 236 cm Tate Gallery, London

   
   
     

Canaletto London: Westminster Abbey, with a Procession of Knights of the Bath  f oil painting


London: Westminster Abbey, with a Procession of Knights of the Bath f
Painting ID::  5655
Canaletto
London: Westminster Abbey, with a Procession of Knights of the Bath f
1749 Oil on canvas, 99 x 101,5 cm Westminster Abbey, London

   
   
     

Canaletto Warwick Castle: the East Front df oil painting


Warwick Castle: the East Front df
Painting ID::  5656
Canaletto
Warwick Castle: the East Front df
1752 Oil on canvas, 73 x 122 cm City Museum and Art Gallery, Birmingham

   
   
     

Canaletto London: Northumberland House oil painting


London: Northumberland House
Painting ID::  5657
Canaletto
London: Northumberland House
1752 Oil on canvas, 84 x 137 cm Private collection

   
   
     

Canaletto London: Greenwich Hospital from the North Bank of the Thames d oil painting


London: Greenwich Hospital from the North Bank of the Thames d
Painting ID::  5658
Canaletto
London: Greenwich Hospital from the North Bank of the Thames d
c. 1753 Oil on canvas, 66 x 112,5 cm National Maritime Museum, London

   
   
     

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     Canaletto
     Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

     Related Artists::.
     | BARTOLOMEO VENETO | Peter Graham | Robert Lefevre |


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