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Cimabue Throning madonna with eight angels and four prophets oil painting


Throning madonna with eight angels and four prophets
Painting ID::  38430
Cimabue
Throning madonna with eight angels and four prophets
mk137 ca. 1280 Tempera on wood chalkboard 385x223cm Galleria degli Uffizi, Florence

   
   
     

Cimabue Madonna and Child Enthroned with Two Angels and Ss. Francis and Dominic oil painting


Madonna and Child Enthroned with Two Angels and Ss. Francis and Dominic
Painting ID::  40121
Cimabue
Madonna and Child Enthroned with Two Angels and Ss. Francis and Dominic
mk156 Tempera on panel 133x82cm

   
   
     

Cimabue S.Trinita Madonna oil painting


S.Trinita Madonna
Painting ID::  40122
Cimabue
S.Trinita Madonna
mk156 c.1280 Tempera on panel 385x223cm

   
   
     

Cimabue Throning Madonna with angels and prophets oil painting


Throning Madonna with angels and prophets
Painting ID::  42605
Cimabue
Throning Madonna with angels and prophets
MK169 ca.1280-90 Tempered on wood 384x224cm Uffizi, Florence

   
   
     

Cimabue Madonna and Child in Majesty Surrounded by Angels oil painting


Madonna and Child in Majesty Surrounded by Angels
Painting ID::  51700
Cimabue
Madonna and Child in Majesty Surrounded by Angels
nn09 c.1270 Wood

   
   
     

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     Cimabue
     Italian b1240 - d1302 Cimabue Location Italian painter and mosaicist. His nickname means either bull-head or possibly one who crushes the views of others (It. cimare: top, shear, blunt), an interpretation matching the tradition in commentaries on Dante that he was not merely proud of his work but contemptuous of criticism. Filippo Villani and Vasari assigned him the name Giovanni, but this has no historical foundation. He may be considered the most dramatic of those artists influenced by contemporary Byzantine painting through which antique qualities were introduced into Italian work in the late 13th century. His interest in Classical Roman drapery techniques and in the spatial and dramatic achievements of such contemporary sculptors as Nicola Pisano, however, distinguishes him from other leading members of this movement. As a result of his influence on such younger artists as Duccio and Giotto, the forceful qualities of his work and its openness to a wide range of sources, Cimabue appears to have had a direct personal influence on the subsequent course of Florentine, Tuscan and possibly Roman painting.

     Related Artists::.
     | Harvey T. Dunn | Benjamin Williams Leader | Correggio |


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