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Cimabue Madonna Enthroned with the Child, St Francis St. Domenico and two Angels dfg oil painting


Madonna Enthroned with the Child, St Francis St. Domenico and two Angels dfg
Painting ID::  6056
Cimabue
Madonna Enthroned with the Child, St Francis St. Domenico and two Angels dfg
Tempera on wood, 133 x 81 cm Galleria degli Uffizi, Florence

   
   
     

Cimabue Madonna Enthroned with the Child and Two Angels dfg oil painting


Madonna Enthroned with the Child and Two Angels dfg
Painting ID::  6057
Cimabue
Madonna Enthroned with the Child and Two Angels dfg
Tempera on wood, 218 x 118 cm Santa Maria dei Servi, Bologna

   
   
     

Cimabue Virgin Enthroned with Angels dfg oil painting


Virgin Enthroned with Angels dfg
Painting ID::  6058
Cimabue
Virgin Enthroned with Angels dfg
1290-95 Panel, 424 x 276 cm Mus??e du Louvre, Paris

   
   
     

Cimabue Christ Enthroned between the Virgin and St John the Evangelist (detail)  fgh oil painting


Christ Enthroned between the Virgin and St John the Evangelist (detail) fgh
Painting ID::  6059
Cimabue
Christ Enthroned between the Virgin and St John the Evangelist (detail) fgh
1301-02 Mosaic, 385 x 223 cm Duomo, Pisa

   
   
     

Cimabue Madonna and Child Enthroned with Angels and Prophets (mk08) oil painting


Madonna and Child Enthroned with Angels and Prophets (mk08)
Painting ID::  21146
Cimabue
Madonna and Child Enthroned with Angels and Prophets (mk08)
Tempera on wood, 385x223cm Florence,Galleria degli Uffizi

   
   
     

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     Cimabue
     Italian b1240 - d1302 Cimabue Location Italian painter and mosaicist. His nickname means either bull-head or possibly one who crushes the views of others (It. cimare: top, shear, blunt), an interpretation matching the tradition in commentaries on Dante that he was not merely proud of his work but contemptuous of criticism. Filippo Villani and Vasari assigned him the name Giovanni, but this has no historical foundation. He may be considered the most dramatic of those artists influenced by contemporary Byzantine painting through which antique qualities were introduced into Italian work in the late 13th century. His interest in Classical Roman drapery techniques and in the spatial and dramatic achievements of such contemporary sculptors as Nicola Pisano, however, distinguishes him from other leading members of this movement. As a result of his influence on such younger artists as Duccio and Giotto, the forceful qualities of his work and its openness to a wide range of sources, Cimabue appears to have had a direct personal influence on the subsequent course of Florentine, Tuscan and possibly Roman painting.

     Related Artists::.
     | Jan Abrahamsz. Beerstraten | Willem van Aelst | Anna Hills |


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