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All Jean-Baptiste Greuze 's Paintings
The Painting Names Are Sorted From A to Z
ID Image  Painting (From A to Z)       Details 
78346  
''Portrait of Count Stroganov as a Child, Jean-Baptiste Greuze
  		 ''Portrait of Count Stroganov as a Child   1778 cjr
43246  
A Girl, Jean-Baptiste Greuze
  		 A Girl   mk170 1765-1780 Oil on canvas 47x39.4cm
28331  
A Girl with a Doll, Jean-Baptiste Greuze
  		 A Girl with a Doll   mk60 1778 Oil on canvas 19 1/2"x16"
29271  
A Visit to the Priest, Jean-Baptiste Greuze
  		 A Visit to the Priest   mk65 1786 Oil on canvas 49 1/2x63"
29339  
A Young Man in a Hat, Jean-Baptiste Greuze
  		 A Young Man in a Hat   mk65 1750s Oil on canvas 24x19 1/2"
28330  
Count P.A Stroganov as a Child, Jean-Baptiste Greuze
  		 Count P.A Stroganov as a Child   mk60 1778 Oil on canvas 18 1/2"16"
29377  
Countess E.P.Shuvalova, Jean-Baptiste Greuze
  		 Countess E.P.Shuvalova   mk65 ca.1780 Oil on canvas 23 1/2x19 1/2"
26966  
jean-baptiste greuze, Jean-Baptiste Greuze
  		 jean-baptiste greuze   mk52 c.1803 Oil on wood 52.5x45.5cm Musee des Beaux-Arts,Marseilles
33779  
L'Accordee du Village, Jean-Baptiste Greuze
  		 L'Accordee du Village   mk86 1761 Oil on canvas 90x118cm Paris,Musee National du Louvre
79742  
L'enfant a la colombe, Jean-Baptiste Greuze
  		 L'enfant a la colombe   Oil on canvas 64,4 x 53,3 cm cjr
77593  
Portrait de Claude Henri Watelet, Jean-Baptiste Greuze
  		 Portrait de Claude Henri Watelet   between 1763(1763) and 1765(1765) Oil on canvas 115 ?? 188 cm (45.3 ?? 74 in) cjr
77446  
Portrait de jeune fille au ruban bleu, Jean-Baptiste Greuze
  		 Portrait de jeune fille au ruban bleu   18th century Oil on canvas cjr
78052  
Portrait of a Boy, Jean-Baptiste Greuze
  		 Portrait of a Boy   18th century Oil on canvas 34 x 45 cm (13.4 x 17.7 in) cjr
76620  
Portrait of a Lady, Called Sophie Arnould, Jean-Baptiste Greuze
  		 Portrait of a Lady, Called Sophie Arnould   ca. 1773(1773) Oil on canvas 49.6 ?? 39.3 cm (19.5 ?? 15.5 in) cjr
75454  
Portrait of a Lady, previously wrongly called Portrait of Sophie Arnould, Jean-Baptiste Greuze
  		 Portrait of a Lady, previously wrongly called Portrait of Sophie Arnould   Portrait of a Lady, previously wrongly called Portrait of Sophie Arnould ca. 1786(1786) Oil on canvas 61 X 50.4 cm (24 X 19.8 in) cjr
76735  
Portrait of Jacques Gabriel French architect, Jean-Baptiste Greuze
  		 Portrait of Jacques Gabriel French architect   Mid-18th century Oil on linen 65 ?? 54 cm (25.6 ?? 21.3 in) cjr
77871  
Portrait of the Countess Schouwaloff, Jean-Baptiste Greuze
  		 Portrait of the Countess Schouwaloff   1770s cjr
68410  
Portrat eines jungen Madchens, Jean-Baptiste Greuze
  		 Portrat eines jungen Madchens   English: c. 1770-1780 Oil on canvas Deutsch: 50 ?? 38 cm
30623  
The Broken jug, Jean-Baptiste Greuze
  		 The Broken jug   mk68 Oil on canvas Paris,Louvre c.1759 Italy
72537  
The Inconsolable Widow, Jean-Baptiste Greuze
  		 The Inconsolable Widow   before 1763 Oil on canvas 40 32 cm cjr
33778  
The Lamentation of Time Passing, Jean-Baptiste Greuze
  		 The Lamentation of Time Passing   mk86 c.1775 Oil on canvas 79x61cm Munich,Bayerische Staatsgemaldesamm-lungen,Alte Pinakothek
72013  
The Spoiled Child, Jean-Baptiste Greuze
  		 The Spoiled Child   1765 Oil on canvas
30626  
The Village Marriage Contract, Jean-Baptiste Greuze
  		 The Village Marriage Contract   mk68 Oil on canvas Paris,Louvre 1761 France
31813  
The Wool winder, Jean-Baptiste Greuze
  		 The Wool winder   mk76 Painted probably in 1759 Oil on canvas 29 3/8x24 1/8in
37376  
The wool Winder, Jean-Baptiste Greuze
  		 The wool Winder   mk125
78191  
Therese de Savoie, Jean-Baptiste Greuze
  		 Therese de Savoie   1775(1775) Medium Oil on canvas Dimensions 86 x 68 cm (33.9 x 26.8 in) cyf
73470  
Young Girl Weeping for her Dead Bird, Jean-Baptiste Greuze
  		 Young Girl Weeping for her Dead Bird   Young Girl Weeping for her Dead Bird c. 1759 cjr
Jean-Baptiste Greuze
French Rococo Era Painter, 1725-1805 French painter and draughtsman. He was named an associate member of the Academie Royale de Peinture et de Sculpture, Paris, in 1755 on the strength of a group of paintings that included genre scenes, portraits and studies of expressive heads (tetes d'expression). These remained the essential subjects of his art for the next 50 years, except for a brief, concentrated and unsuccessful experiment with history painting in the late 1760s, which was to affect his later genre painting deeply. Though his art has often been compared with that of Jean-Simeon Chardin in particular and interpreted within the context of NEO-CLASSICISM in general, it stands so strikingly apart from the currents of its time that Greuze's accomplishments are best described, as they often were by the artist's contemporaries, as unique. He was greatly admired by connoisseurs, critics and the general public throughout most of his life. His pictures were in the collections of such noted connoisseurs as Ange-Laurent de La Live de Jully, Claude-Henri Watelet and Etienne-Franeois, Duc de Choiseul. For a long period he was in particular favour with the critic Denis Diderot, who wrote about him in the Salon reviews that he published in Melchior Grimm's privately circulated Correspondance litt?raire. His reputation declined towards the end of his life and through the early part of the 19th century, to be revived after 1850, when 18th-century painting returned to favour, by such critics as Theophile Thore, Arsene Houssaye and, most notably, Edmond and Jules de Goncourt in their book L'Art du dix-huitieme siecle. By the end of the century Greuze's work, especially his many variations on the Head of a Girl, fetched record prices, and his Broken Pitcher (Paris, Louvre) was one of the most popular paintings in the Louvre.



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