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Tintoretto Flagellation of Christ oil painting


Flagellation of Christ
Painting ID::  39603
Tintoretto
Flagellation of Christ
mk150 c.1585/90 Canvas 118.3x106cm

   
   
     

Tintoretto The Bathing Susama oil painting


The Bathing Susama
Painting ID::  40372
Tintoretto
The Bathing Susama
mk156 1560-62 Oil on canvas 146.6x193.6cm

   
   
     

Tintoretto Crucifixion oil painting


Crucifixion
Painting ID::  40385
Tintoretto
Crucifixion
mk156 1565 Oil on canvas 536x1224cm

   
   
     

Tintoretto Christ in the House of Mary and Martha oil painting


Christ in the House of Mary and Martha
Painting ID::  40395
Tintoretto
Christ in the House of Mary and Martha
mk156 c.1580 Oil on canvas 197.5x131cm

   
   
     

Tintoretto The Birth of St John the Baptist oil painting


The Birth of St John the Baptist
Painting ID::  40993
Tintoretto
The Birth of St John the Baptist
mk159 early 1550s Oil on canvas 181x266cm

   
   
     

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     Tintoretto
     Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

     Related Artists::.
     | Ernest Meissonier | Jean-Francois Millet | John Lavery |


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