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the mass of bolsena
Painting ID:: 56003
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Raphael
the mass of bolsena
1512 to 14 ,fresco,259.875 in,660 cm(width at base),vatican museums and galleries,vatican city,ltaly
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sistine madonna
Painting ID:: 56004
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Raphael
sistine madonna
1513 to 14 ,oil on canvas,104.375x77.125 in,265x196 cm,gemaldegalerie,dresden,germany
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The School of Athens, Stanza della Segnatura
Painting ID:: 60190
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Raphael
The School of Athens, Stanza della Segnatura
The School of Athens, Stanza della Segnatura
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Giovanni Santi, Raphael father Christ supported by two angels,
Painting ID:: 60191
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Raphael
Giovanni Santi, Raphael father Christ supported by two angels,
Giovanni Santi, Raphael's father; Christ supported by two angels, c.1490
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The Mond Crucifixion
Painting ID:: 60192
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Raphael
The Mond Crucifixion
The Mond Crucifixion, 1502-3, very much in the style of Perugino
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Raphael
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Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. |
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Related Artists::.
| WRIGHT, Joseph | STRIGEL, Bernhard | James-Goodwyn Clonney | |
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