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Raphael Michael Victorious,Known as the Great Michael (mk05) oil painting


Michael Victorious,Known as the Great Michael (mk05)
Painting ID::  20182
Raphael
Michael Victorious,Known as the Great Michael (mk05)
1518 Canvas,105 1/2 x 63''(268 x 160 cm).Commissioned for poresentation to Francois I;collection of Louis XIV

   
   
     

Raphael The Holy Family Known as the Little Holy Family (mk05) oil painting


The Holy Family Known as the Little Holy Family (mk05)
Painting ID::  20186
Raphael
The Holy Family Known as the Little Holy Family (mk05)
Wood,15 1/4 x 12''(39 x 30 cm).Acquired in 1662-1666for the collection of Louis XIV

   
   
     

Raphael Pope Leo X with Cardinals Giulio de'Medici (mk08) oil painting


Pope Leo X with Cardinals Giulio de'Medici (mk08)
Painting ID::  21279
Raphael
Pope Leo X with Cardinals Giulio de'Medici (mk08)
1518*19 Oil on wood 154x119cm Florence,Galleria degli Uffizi

   
   
     

Raphael Madonna of the Meadows (mk08) oil painting


Madonna of the Meadows (mk08)
Painting ID::  21307
Raphael
Madonna of the Meadows (mk08)
1505/06 Oil tempera on wood 113x88cm Vienna,Kunsthistorisches Museum

   
   
     

Raphael Marriage of the Virgin (mk08) oil painting


Marriage of the Virgin (mk08)
Painting ID::  21310
Raphael
Marriage of the Virgin (mk08)
1504 Oil tempera on wood 170x117cm Milan,Pinacoteca di Brera

   
   
     

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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