|
|
|
The Grand Canal with the Rialto Bridge in the Background fd Painting ID:: 5567
|
Canaletto The Grand Canal with the Rialto Bridge in the Background fd 1724-25
Oil on canvas, 146 x 234 cm
Gemäldegalerie, Dresden
|
|
|
|
|
|
|
|
The Grand Canal with the Rialto Bridge in the Background (detail) Painting ID:: 5568
|
Canaletto The Grand Canal with the Rialto Bridge in the Background (detail) 1724-25
Oil on canvas
Gemäldegalerie, Dresden
|
|
|
|
|
|
|
|
The Grand Canal near the Ponte di Rialto sdf Painting ID:: 5569
|
Canaletto The Grand Canal near the Ponte di Rialto sdf 1725
Oil on canvas, 90,5 x 134,6 cm
Private collection
|
|
|
|
|
|
|
|
The Grand Canal from Rialto toward the North Painting ID:: 5570
|
Canaletto The Grand Canal from Rialto toward the North 1725
Oil on canvas, 89,5 x 131,5 cm
Private collection
|
|
|
|
|
|
|
|
Doge Palace d Painting ID:: 5571
|
Canaletto Doge Palace d c. 1725
Oil on canvas, 65 x 86 cm
Columbia Museum of Art, Columbus
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Canaletto
|
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings. |
Related Artists::. | DUSART, Cornelis | Ferdinand Olivier | Felix Vallotton | |
|