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Joachim Patenier
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| 1480-1525 Flemish Joachim Patenier Galleries was a Flemish Northern Renaissance history and landscape painter. He was probably the uncle of Herri met de Bles, with whom he helped establish a distinct style of northern Renaissance landscapes. | ||||
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The Visitation Joachim Patenier4.jpg Painting ID:: 1593 |
1530/32 Pieve di San Michele, Carmignano | ||
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Marx Reichlich
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| 1460-1520 German Marx Reichlich Gallery Austrian painter. His name, which first appeared in records of Salzburg citizens in 1494, has been linked (Semper) to an artist who signed some of his paintings with the initials M R. The earliest of the initialled panels, the Adoration of the Magi with the Donor Heinrich Mentlberger (1489; Innsbruck, ex-Wilten Abbey Church; Innsbruck, Tirol. Landesmus.), suggests that Reichlich had trained with the Tyrolean artists Friedrich Pacher and Michael Pacher. The latter lived in Salzburg from 1495 to 1498, and the stylistic association with him visible in the Perckhamer Altarpiece (c. 1495-8; Austria, priv. col., see Oberhammer, nos 1-12) may account for Reichlich's having become a citizen in Salzburg. The connections with both Pachers and the fact that Reichlich received several commissions in Neustift (Novacella, nr Bressanone) suggest that his origins were in that region. According to a receipt dated 1499, he painted a panel (untraced) for the Benediktinerstift of St Lambrecht in Styria. In 1508 Emperor Maximilian I commissioned him to restore the frescoes (in situ) in Schloss Runkelstein near Bozen (Bolzano). The latest panels signed with the initials M R make up part of a double-winged altarpiece (Heiligenblut, St Vincent) that was completed by one 'Wolffgang Maller' in 1520, perhaps because Reichlich was no longer living. Also attributed to Reichlich on stylistic, technical and circumstantial grounds are eight portraits (c. 1519-20) formerly assigned to a 'Master of the Angrer Portrait' whose name was derived from the riveting bust-length portrait of Canon Gregor Angrer of Brixen (1519; Innsbruck, Tirol. Landesmus.). | ||||
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The Visitation Marx Reichlich1.jpg Painting ID:: 3367 |
1511 Pinakothek, Munich | ||
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Albertinelli, Mariotto
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| Italian Early Renaissance Painter, 1474-1515] Studied under Cosimo Rosselli. Albertinelli's students included Pontormo . Italian painter. Albertinelli's contribution to the Florentine High Renaissance was inspired by the work of FRA BARTOLOMMEO, and the two artists worked together in a partnership, their paintings appearing to be the product of a single hand. Albertinelli, however, always retained artistic independence, as is revealed in certain paintings that are eccentrically archaic and in others that show a preference for conventions more typical of the early Renaissance. | ||||
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The Visitation Albertinelli, Mariotto1.jpg Painting ID:: 10741 |
1503, oil on wood, Galleria degli Uffizi, Florence | ||
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Vleughels Nicolas
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| French , b Paris, 6 Dec 1668; d Rome, 11 Dec 1737 | ||||
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The Visitation new3/Vleughels Nicolas-467998.jpg Painting ID:: 29134 |
mk65 ca.1729 Oil on panel 14x10 1/2" | ||
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Albrecht Durer
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| b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. | ||||
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The Visitation new16/Albrecht Durer-823564.jpg Painting ID:: 42434 |
mk168 300x211mm | ||
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