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UCCELLO, Paolo
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| Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco | ||||
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sankt goran och draken new20/UCCELLO, Paolo-388833.jpg Painting ID:: 56678 |
mk248 uccello berattar bistorien om sankt goran pa sant gotiskt mamer. den tappre riddarens linjerar med det bakomliggande ovdersmolen, nagot som skulle kunna signifiera gudomlig intervea. samtidigt skjuter lansen framat. in i bildplanet ocb bjalper till att etablera ett tredimensionellt utymme runt viket den eleganta ungmon. som inte langre ar i nod, planerar att leda den besegrade draken liken likt en sallskapsbund. | ||
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Carl Larsson
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| Swedish Realist Painter, 1853-1919 Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren. | ||||
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sankt goran och draken new22/Carl Larsson-977985.jpg Painting ID:: 66738 |
skiss till vaggmalning i goteborgs latninlaroverk olja 1902 se | ||
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