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John Henry Twatchman
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| 1853-1902 John Henry Twatchman Galleries | ||||
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The White Bridge John Henry Twatchman3.jpg Painting ID:: 4558 |
1889-1900 The Art Institute of Chicago | ||
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John Henry Twachtman
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| American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm, | ||||
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The White Bridge new4/John Henry Twachtman-464688.jpg Painting ID:: 32038 |
mk77 Mid-1890s Oil on canvas 30 1/4x30 1/4in | ||
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John Henry Twachtman
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| American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm, | ||||
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The White Bridge new16/John Henry Twachtman-356787.jpg Painting ID:: 44815 |
mk177 1900 Oil on canvas 30x25 | ||
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John Henry Twachtman
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| American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm, | ||||
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The White Bridge new19/John Henry Twachtman-344673.jpg Painting ID:: 54497 |
mk235 c.1900 Oil on canvas | ||
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