|
TRAVERSI, Gaspare
|
||||
|
|
||||
| Italian Painter, ca.1722-1770 Italian painter. He was apprenticed to the elderly Francesco Solimena, whose late style, a reinterpretation of the Baroque art of Mattia Preti, influenced his earliest works. At the same time he studied the naturalist painters of the 17th century: Preti himself, Giovanni Battista Caracciolo, Jusepe de Ribera, Filippo Vitale and Francesco Fracanzano. Classical art also attracted him, and in the 1740s he began to make journeys to Rome to study the influential works of Bolognese and Roman classicism: paintings by Guido Reni, Guercino and the Carracci family, and by Carlo Maratti. During one of these visits he copied two pictures by Maratti, then in S Isidoro, Rome: the Flagellation and a Crucifixion . In the following year he was in Naples; three canvases of scenes from the Life of the Virgin (Naples, S Maria dell'Aiuto), one of which is signed and dated 1749 | ||||
|
|
||||
|
The Drawing Lesson new16/TRAVERSI, Gaspare-779683.jpg Painting ID:: 40566 |
mk156 c.175 Oil on canvas 161.7x204cm | ||
|
|
||||
|
Jan Steen
|
||||
|
|
||||
| Dutch Baroque Era Painter, ca.1625-1679 Daily life was Jan Steen's main pictorial theme. Many of the genre scenes he portrayed are lively to the point of chaos and lustfulness, even so much that a Jan Steen household, meaning a messy scene, became a Dutch proverb (een huishouden van Jan Steen). Subtle hints in his paintings seem to suggest that Steen meant to warn the viewer rather than invite him to copy this behaviour. Many of Steen's paintings bear references to old Dutch proverbs or literature. He often used members of his family as models. Jan Steen painted also quite a few self-portraits, in which he showed no tendency of vanity. Steen did not shy from other themes: he painted historical, mythological and religious scenes, portraits, still lifes and natural scenes. His portraits of children are famous. He is also well known for his mastery of light and attention to detail, most notably in textiles. Steen was prolific, producing about 800 paintings, of which roughly 350 survive. Steen's work was valued much by contemporaries and as a result he was reasonably well paid for his work. He did not have any students, but his work proved a source of inspiration for many painters. | ||||
|
|
||||
|
The Drawing Lesson new25/Jan Steen-856757.jpg Painting ID:: 91070 |
1665(1665) Medium oil on panel Dimensions 19.375 x 16.25 in (49.2 x 41.3 cm) cyf | ||
|
|
||||
|
Jacob Ochtervelt
|
||||
|
|
||||
| (1634, Rotterdam - 1682, Amsterdam), was a Dutch Golden Age painter. According to the RKD he was active in Haarlem where he was a student of Nicolaes Pietersz Berchem and later he moved back to Rotterdam (1655-1672) where he was a pupil of Ludolf de Jongh. After the rampjaar he moved to Amsterdam | ||||
|
|
||||
|
The Drawing Lesson new26/Jacob Ochtervelt-683356.jpg Painting ID:: 95475 |
second half of 17th century Medium oil on canvas cyf | ||
|
|
||||
|
Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online: |