Oil On Canvas, Real Flavor of Old Masters


Swedish

Spanish

English

French

German
A  B  C  D  E  F  G  H  I  J  K  L  M  N-O  P-Q  R  S  T-U  V  W-Z    Artist Index

Next Painting     

GUERCINO

      Italian Baroque Era Painter, 1591-1666 best known as Guercino or Il Guercino, was an Italian Baroque painter from the region of Emilia, and active in Rome and Bologna. Guercino is Italian for squinter, a nickname that was given to him because he was cross-eyed. He is especially noted for his many superb drawings. Guercino was born at Cento, a village between Bologna and Ferrara. By the age of 17 he was associated with Benedetto Gennari, a painter of the Bolognese School. By 1615 he moved to Bologna, where his work earned the praise of an elder Ludovico Carracci. He painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, in what appears to be a stark naturalist Caravaggesque style (although it is unlikely he had been able to see any of the Roman Caravaggios first-hand). They were painted for Cardinal Serra, Papal Legate to Ferrara. The Arcadian Shepherds (Et in Arcadia ego) was painted in 1618 contemporary with The Flaying of Marsyas by Apollo in Palazzo Pitti. His first style, he often claimed, was influenced by a canvas of Carracci in Cento. Some of his later pieces approach rather to the manner of his great contemporary Guido Reni, and are painted with more lightness and clearness. Guercino was esteemed very highly in his lifetime. He was then recommended by Marchese Enzo Bentivoglio to the Bolognese Ludovisi Pope, Pope Gregory XV. His two years (1621-23) spent in Rome were very productive. From this stay date his frescoes of Aurora at the casino of the Villa Ludovisi and the ceiling in San Crisogono (1622) of San Chrysogonus in Glory; his portrait of Pope Gregory (now in the Getty Museum, and, what is considered his masterpiece, The Burial of Saint Petronilla or St. Petronilla Altarpiece, for the Vatican (now in the Museo Capitolini). The Franciscan order of Reggio in 1655 paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna and Child (now in Nelson-Atkins Museum of Art, Kansas City). The Corsini also paid him 300 ducats for the Flagellation of Christ painted in 1657.

GUERCINO Susanna and the Elders kyh painting


Susanna and the Elders kyh
GUERCINO12.jpg
Painting ID::  7242

  1617 Oil on canvas, 175 x 207 cm Museo del Prado, Madrid
   
   
   

Next Painting     

Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online:
The Hunter-s Return / Garland of Flowers,with the Virgin and C / Kazret'iRust'avi / David playing the Harp for aul -330 / William Etty / BORSSUM, Anthonie van / Allegoric Painting -from Villa Lemmi- d / UK / Spring / Newamsterdam / wholesale wood frame / Delogozdi / A Young Man with a Glove / Cup newspaper and winebottle / The Calling of Saint Matthew -detail- ur / Still-life with Peaches and Fig-leaves f / Dancer Standing behind a Stage Prop / Murzzuschlag / Kybartai / Mariano Fortuny y Marsal / Armona / Putnam / Wheatfield and Row of Trees / Men of Galilee / Diana with Her Hunting Dogs beside Kill / monet photo / St.Francis in Ecstasy / Hollister / Armand guillaumin / The Bean King sf / Landscape with Charon-s Bark / Banquet of the Officers of the St George / The Oberried Altarpiece -detail- sg / St.Martin and the Beggar / The Visitation after the Sermon / tolkien tree creature / Looking Down Mission Valley,Summertime / Marchafb / Head of a Woman dfs / Cezanne-s Accessories still life with ph /