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Edgar Degas

      French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

Edgar Degas Study of Helene Rouart sitting on the Arm of a Chair painting


Study of Helene Rouart sitting on the Arm of a Chair
new18/Edgar Degas-997783.jpg
Painting ID::  50050

  mk206 1886 Pencil on paper 16.2x9.8cm
   
   
   

Edgar Degas

      French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

Edgar Degas Study of Helene Rouart sitting on the Arm of a Chair painting


Study of Helene Rouart sitting on the Arm of a Chair
new18/Edgar Degas-372227.jpg
Painting ID::  50051

  mk206 1886 Pastel 49x34cm
   
   
   

Edgar Degas

      French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

Edgar Degas Study of Helene Rouart sitting on the Arm of a Chair painting


Study of Helene Rouart sitting on the Arm of a Chair
new18/Edgar Degas-642332.jpg
Painting ID::  50052

  MK206 1886 Pastel on pale blue paper 49x34cm
   
   
   

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