Oil On Canvas, Real Flavor of Old Masters


Swedish

Spanish

English

French

German
A  B  C  D  E  F  G  H  I  J  K  L  M  N-O  P-Q  R  S  T-U  V  W-Z    Artist Index

Next Painting     

Leonardo Da Vinci

      Italian High Renaissance Painter and Inventor, 1452-1519 Florentine Renaissance man, genius, artist in all media, architect, military engineer. Possibly the most brilliantly creative man in European history, he advertised himself, first of all, as a military engineer. In a famous letter dated about 1481 to Ludovico Sforza, of which a copy survives in the Codice Atlantico in Milan, Leonardo asks for employment in that capacity. He had plans for bridges, very light and strong, and plans for destroying those of the enemy. He knew how to cut off water to besieged fortifications, and how to construct bridges, mantlets, scaling ladders, and other instruments. He designed cannon, very convenient and easy of transport, designed to fire small stones, almost in the manner of hail??grape- or case-shot (see ammunition, artillery). He offered cannon of very beautiful and useful shapes, quite different from those in common use and, where it is not possible to employ cannon ?? catapults, mangonels and trabocchi and other engines of wonderful efficacy not in general use. And he said he made armoured cars, safe and unassailable, which will enter the serried ranks of the enemy with their artillery ?? and behind them the infantry will be able to follow quite unharmed, and without any opposition. He also offered to design ships which can resist the fire of all the heaviest cannon, and powder and smoke. The large number of surviving drawings and notes on military art show that Leonardo claims were not without foundation, although most date from after the Sforza letter. Most of the drawings, including giant crossbows (see bows), appear to be improvements on existing machines rather than new inventions. One exception is the drawing of a tank dating from 1485-8 now in the British Museum??a flattened cone, propelled from inside by crankshafts, firing guns. Another design in the British Museum, for a machine with scythes revolving in the horizontal plane, dismembering bodies as it goes, is gruesomely fanciful. Most of the other drawings are in the Codice Atlantico in Milan but some are in the Royal Libraries at Windsor and Turin, in Venice, or the Louvre and the École des Beaux Arts in Paris. Two ingenious machines for continuously firing arrows, machine-gun style, powered by a treadmill are shown in the Codice Atlantico. A number of other sketches of bridges, water pumps, and canals could be for military or civil purposes: dual use technology. Leonardo lived at a time when the first artillery fortifications were appearing and the Codice Atlantico contains sketches of ingenious fortifications combining bastions, round towers, and truncated cones. Models constructed from the drawings and photographed in Calvi works reveal forts which would have looked strikingly modern in the 19th century, and might even feature in science fiction films today. On 18 August 1502 Cesare Borgia appointed Leonardo as his Military Engineer General, although no known building by Leonardo exists. Leonardo was also fascinated by flight. Thirteen pages with drawings for man-powered aeroplanes survive and there is one design for a helicoidal helicopter. Leonardo later realized the inadequacy of the power a man could generate and turned his attention to aerofoils. Had his enormous abilities been concentrated on one thing, he might have invented the modern glider.

Leonardo  Da Vinci Study for the Trivulzio Equestrian Monument painting


Study for the Trivulzio Equestrian Monument
new19/Leonardo Da Vinci-432526.jpg
Painting ID::  52322

  1508-10 Pen and ink on paper, 280 x 198 mm
   
   
   

Next Painting     

Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online:
Sisian / Malesi e madhe / Dalou,His Wife and His Daughter / The Battle Between the Gods and the Tita / Portrait of an Old Man / Skokie / Francois Clouet / Holton / LIsalmi / Madonna and Child Between SS.Catherine a / Portrait of the Postman Joseph Roulin -n / Vincent Laurensz van der Vinne sf / The New Market Square in Dresden. / Study for Memories / The Springtime, The Haymaking / The Duchess of Urbino / Sofonisba anguissola / Cotter / Congress Hall / The Wedding of Peleus and Thetis df / Cesis / The Pazzi Crucifixion -detail- af / Poplars at Giverny / Camera degli Sposi / Madonna and Child ddfhf / Red Rose / Details of The Schreckenstein Crossing / Whiteland / Kiev / Caillebotte, Gustave / Snow at Louveciennes -san21- / Padre Sebastiano -18- / Deer at the Edge of t he Forest -34- / The Actress Jeanne Samary / Death on a Pale Horse / Monks at the Gulf of Naples -09- / Birds / Gentile Bellini / Staffordsprings / Houses of Parliament,Fog Effect /