Oil On
Canvas, Real Flavor of Old Masters
|
William Merritt Chase
|
||||
|
|
||||
| American Impressionist Painter, 1849-1916 American painter and printmaker. He received his early training in Indianapolis from the portrait painter Barton S. Hays (1826-75). In 1869 he went to New York to study at the National Academy of Design where he exhibited in 1871. That year he joined his family in St Louis, where John Mulvaney (1844-1906) encouraged him to study in Munich. With the support of several local patrons, enabling him to live abroad for the next six years, Chase entered the Kenigliche Akademie in Munich in 1872. Among his teachers were Alexander von Wagner (1838-1919), Karl Theodor von Piloty and Wilhelm von Diez (1839-1907). Chase also admired the work of Wilhelm Leibl. The school emphasized bravura brushwork, a technique that became integral to Chase's style, favoured a dark palette and encouraged the study of Old Master painters, particularly Diego Velezquez and Frans Hals. Among Chase's friends in Munich were the American artists Walter Shirlaw, J. Frank Currier and Frederick Dielman (1847-1935) | ||||
|
|
||||
|
Studio Interior new12/William Merritt Chase-372528.jpg Painting ID:: 39087 |
mk140 circa 1882 Oil on canvas 71.2x101.9cm | ||
|
|
||||
|
Octave Tassaert
|
||||
|
|
||||
| Paris 1800-1874 was a French painter of portraits and genre, religious, historical and allegorical paintings, as well as a lithographer and engraver, though this family was of Flemish origin. He was the grandson of the sculptor Jean-Pierre-Antoine Tassaert. Octave's first artistic training came from his father Jean-Joseph-François Tassaert (1765-c. 1835) and his older brother Paul (?-1855), before he was apprenticed to the engraver Alexis-François Girard (1787-1870). Next he studied at the École des Beaux-Arts (1817-25) from 1817 through 1825, under Guillaume Guillon-Lethi??re, but never won the school's Prix de Rome. Winning popular but not critical success, his works showing poor people's lives were felt melodramatic by critics but acclaimed by the public. His submission to the 1855 World Exhibition was well received by the critics, but Octave ceased to exhibit after the 1857 Salon, withdrawing more and more from the formal art world. Collectors of his works included Alfred Bruyas and Alexandre Dumas, fils, but in 1863 Octave stopped painting altogether and tried to become a poet (though none of his works are extant), | ||||
|
|
||||
|
Studio Interior new16/Octave Tassaert-946228.jpg Painting ID:: 44017 |
1845 Oil on canvas, 46 x 38 cm | ||
|
|
||||
|
William Merritt Chase
|
||||
|
|
||||
| American Impressionist Painter, 1849-1916 American painter and printmaker. He received his early training in Indianapolis from the portrait painter Barton S. Hays (1826-75). In 1869 he went to New York to study at the National Academy of Design where he exhibited in 1871. That year he joined his family in St Louis, where John Mulvaney (1844-1906) encouraged him to study in Munich. With the support of several local patrons, enabling him to live abroad for the next six years, Chase entered the Kenigliche Akademie in Munich in 1872. Among his teachers were Alexander von Wagner (1838-1919), Karl Theodor von Piloty and Wilhelm von Diez (1839-1907). Chase also admired the work of Wilhelm Leibl. The school emphasized bravura brushwork, a technique that became integral to Chase's style, favoured a dark palette and encouraged the study of Old Master painters, particularly Diego Velezquez and Frans Hals. Among Chase's friends in Munich were the American artists Walter Shirlaw, J. Frank Currier and Frederick Dielman (1847-1935) | ||||
|
|
||||
|
Studio Interior new22/William Merritt Chase-524635.jpg Painting ID:: 66160 |
ca. 1882 Oil on canvas 71.2 x 101.9 cm (28.03 x 40.12 in) | ||
|
|
||||
|
William Merritt Chase
|
||||
|
|
||||
| American Impressionist Painter, 1849-1916 American painter and printmaker. He received his early training in Indianapolis from the portrait painter Barton S. Hays (1826-75). In 1869 he went to New York to study at the National Academy of Design where he exhibited in 1871. That year he joined his family in St Louis, where John Mulvaney (1844-1906) encouraged him to study in Munich. With the support of several local patrons, enabling him to live abroad for the next six years, Chase entered the Kenigliche Akademie in Munich in 1872. Among his teachers were Alexander von Wagner (1838-1919), Karl Theodor von Piloty and Wilhelm von Diez (1839-1907). Chase also admired the work of Wilhelm Leibl. The school emphasized bravura brushwork, a technique that became integral to Chase's style, favoured a dark palette and encouraged the study of Old Master painters, particularly Diego Velezquez and Frans Hals. Among Chase's friends in Munich were the American artists Walter Shirlaw, J. Frank Currier and Frederick Dielman (1847-1935) | ||||
|
|
||||
|
Studio Interior new23/William Merritt Chase-666334.jpg Painting ID:: 71481 |
ca. 1882(1882) Oil on canvas 71.2 x 101.9 cm (28.03 x 40.12 in) | ||
|
|
||||
|
William Merrit Chase
|
||||
|
|
||||
| 1849-1916 William Merrit Chase Locations | ||||
|
|
||||
|
Studio Interior new24/William Merrit Chase-334986.jpg Painting ID:: 72661 |
Date ca. 1882(1882) Medium Oil on canvas Dimensions 71.2 X 101.9 cm (28.03 X 40.12 in) cyf | ||
|
|
||||
|
Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online: |