Oil On Canvas, Real Flavor of Old Masters


Swedish

Spanish

English

French

German
A  B  C  D  E  F  G  H  I  J  K  L  M  N-O  P-Q  R  S  T-U  V  W-Z    Artist Index

Next Painting     

ROSA, Salvator

      Italian Baroque Era Painter, 1615-1673 Italian painter, draughtsman, etcher, poet and actor. He was one of the most original artists and extravagant personalities of the 17th century. His most popular and influential works were his landscapes, the wild and mountainous beauty of which contrasted with the pastoral scenes of Claude Lorrain. Yet Rosa also painted macabre subjects, erudite philosophical allegories and grand historical themes; he was, moreover, the most significant satirical poet of the Italian 17th century, and there is a close relationship between his poetry and painting. His earliest biographers, Filippo Baldinucci and Giovanni Battista Passeri, both of whom knew him well, described at length his fiery temperament

ROSA, Salvator Self-Portrait af painting


Self-Portrait af
new1/ROSA, Salvator12.jpg
Painting ID::  8967

  Oil on canvas Metropolitan Museum of Art, New York
   
   
   

POUSSIN, Nicolas

      French Baroque Era Painter, 1594-1665 French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,

POUSSIN, Nicolas Self-Portrait af painting


Self-Portrait af
new1/POUSSIN, Nicolas55.jpg
Painting ID::  8661

  1649 Oil on canvas, 78 x 65 cm Staatliche Museen, Berlin
   
   
   

Next Painting     

Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online:
The Lock -nn03- / Fortmyersshores / COYPEL, Charles-Antoine / Johannes vermeer -30- / Elena Povolozky -39- / Line of Mountaints / Adam fjj / A Room in the Second Post-Impressionist / Bernardino Fungai / The Wreck of Hope / Petersburg / Oakcreek / Nuzi, Allegretto / Landscape with the Rest on the Flight zg / Royal Sports on Hill and Loch -25 / An Old Farmhouse / Landscape-Scene from Thanatopsis / Elise Bruyere / Dortmund / Arco / Maliavin, Philip / Fruit dish pipo and newspaper / Detail of Twelfth Night / Henri Evenepoel / View of Brussels from the North-East ar / Tthe Outskirts of Madrid / Sherwood / COSTA, Lorenzo / Modoc / The Rest on the Flight into Egypt_1 / The Muses- Clio, Euterpe and Thalia dh / Pastoral Landscape -17- / Carisbrook Castle Isle of Wight / Darya Khvostova / The Morning Walk / Deer at the Edge of t he Forest -34- / Jean-Louis prevost le jeune / Winter Sports 1 / Portrait of a Man / Napoleo on the Battlefield at Eylau /