Oil On
Canvas, Real Flavor of Old Masters
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Rosalba carriera
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| Italian Rococo Era Painter, 1675-1757 Italian pastellist and painter. She was a daughter of Andrea Carriera, who worked in the mainland podesteria of the Republic of Venice, and of Alba Foresti, an embroiderer. She had two sisters: Angela, who married the painter Giovanni Antonio Pellegrini, and Giovanna, who, like Rosalba herself, never married. Pier Caterino Zeno (see Campori, 1886) and other, anonymous sources recorded that she was a pupil of Giuseppe Diamantini; according to Mariette, she originally painted snuff-boxes and later became a pupil of Federico Bencovich. There are more precise records of her life and of some of her works from 1700 onwards | ||||
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Portrait of a Young Girl new9/Rosalba carriera-994439.jpg Painting ID:: 33789 |
mk86 after 1708 Pastel 36.3x30.3cm Paris,Musee National du Louvre | ||
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Ferdinand von Rayski
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| 1806-1890 was a German painter noted for his portraits. Rayski was born in 1806 in Pegau. From 1816 to 1821 he studied drawing under Traugott Faber at the Freimaurerinstitut in Dresden and from 1823 to 1825 studied at Kunstakademie in Dusseldorf. He began his career as a professional artist in 1829, painting portraits of his noble relatives in Hannover and Silesia. From 1831 to 1834 he lived in Dresden, where he received numerous portrait commissions. He traveled to Paris in 1834-35, and was influenced by the works of Delacroix, Gericault and Gros. Rayski gained a reputation as a distinguished portrait painter, but also produced animal and hunting scenes, as well as, yet less frequently, military, historical and mythological paintings. | ||||
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Portrait of a Young Girl new9/Ferdinand von Rayski-435273.jpg Painting ID:: 33914 |
mk87 c.1840 Oil on canvas 68.5x57cm Altenburg, | ||
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Petrus Christus
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| Flemish 1415-1473 Petrus Christus Locations South Netherlandish painter. His known artistic career began in Bruges on 6 July 1444 when, as the Poorterboek (citizens register) for that day reveals, he purchased his citizenship ... in order to be a painter. Town records show that he and his wife became members of the Confraternity of the Dry Tree c. 1462; that in 1463 he and another painter, Pieter Nachtegale, were paid for the construction of a Tree of Jesse (destr.) and for the cost of assistants employed on the day of the religious procession in which it was used; and that on 19 March 1472 he served as a representative of the painters guild in a dispute with another painter, Jehan de Hervy the elder ( fl 1472-1507). These and a few other scattered references comprise the existing documentation for Christusa life and work. | ||||
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Portrait of a Young Girl new12/Petrus Christus-434433.jpg Painting ID:: 40194 |
mk156 after 1446 Oil on panel 29x22.5cm | ||
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Albrecht Durer
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| b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. | ||||
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Portrait of a Young Girl new21/Albrecht Durer-475647.jpg Painting ID:: 63749 |
1507 Oil on panel tranferred from parchment, 30 x 20 cm Staatliche Museen, Berlin This small painting was in the collection of the Imhoff family of Nuremberg, and cited in their inventory from 1573-74 until 1628. In 1633, it was handed over, with the title Portrait of a Young Girl, with other works by D?rer, to Abraham Bloemart, an artist and merchant from Amsterdam. In 1899, the portrait reappears in London, and the firm P. and D. Colnaghi donated it to the Berlin art gallery. The delicate girl is portrayed with soft, curly blond hair, slightly dreamy her eyes, one somewhat lower than the other, a gentle, melancholic gaze; and well-defined, slightly parted lips. The red beret, worn sideways, with a little slit to the side, with a long red ruby and black pearl pendant, gives her a slightly cheeky air. The square green border of the red bodice sets off the upper part of her body. All these details put together have led to various interpretations. In addition to the fact that the "girl," when sold by the Imhoffs, was transformed into a "boy," Panofsky (1955) attributes an androgynous nature to her that could reveal the possible homosexual tendencies of the artist. A teasing letter of 1507 from the canonical Lorenz Behaim of Bamberg and the fact that the portrait does not seem to have been ordered would support this hypothesis. It has also been debated whether the painting was executed in Venice or after D?rer's return to Nuremberg. Considering the clothing to be typically German, there is no doubt as to its provenance.Artist:D?RER, Albrecht Title: Portrait of a Young Girl Painted in 1501-1550 , German - - painting : portrait | ||
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unknow artist
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Portrait of a young girl new24/unknow artist-995733.jpg Painting ID:: 79045 |
Oil on wood 35 x 26.7 cm (13.8 x 10.5 in) cjr | ||
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