Oil On Canvas, Real Flavor of Old Masters


Swedish

Spanish

English

French

German
A  B  C  D  E  F  G  H  I  J  K  L  M  N-O  P-Q  R  S  T-U  V  W-Z    Artist Index

Next Painting     

Dieric Bouts

      1420-1475 Flemish Dieric Bouts Locations Dirk Bouts whose real name was Theodorik Romboutszoon, was probably born in Haarlem, where he may have studied under the painter Albert van Ouwater. Sometime before 1450 Bouts took up residence in the Flemish city of Louvain. His name appeared in the records of Louvain in 1457 and again in 1468, when he was appointed "city painter." It is likely that Bouts spent some time in Bruges, as his earliest work, the Infancy Altarpiece shows the distinct and strong influence of Petrus Christus, the leading master of that city after the death of Jan van Eyck. The slightly later Deposition Altarpiece (ca. 1450) displays strong connections with the style of Rogier van der Weyden in both the figure types and the composition. About 1460, the period of the Entombment in London, the early, formative influence of Petrus Christus had been almost totally displaced by that of Rogier, though Bouts personal vision began to emerge in the fluid and continuous landscape background. The great Last Supper Altarpiece (1464-1467) marks the high point of Bouts career. In this solemn and dignified masterpiece the painter achieved spiritual grandeur in the context of convincing physical reality. The central panel of the altarpiece is the most emphatically significant treatment of the theme of the Last Supper in Northern European art. The wings, which contain Old Testament prefigurations of the central theme, are freer and more loosely organized. Eschewing the symmetry and rigid axial construction of the main panel, Bouts produced rhythmic foreground compositions in combination with fluid and dramatic spatial recessions. In 1468 Bouts was commissioned to paint four panels on the subject of justice for the Town Hall of Louvain. At the painter death in 1475 only two of the paintings had been completed; they are among the most remarkable productions of his career. The unusual subjects, taken from the chronicles of a 12th-century historian, concern the wrongful execution by Emperor Otto III of one of his counts and the subsequent vindication of the nobleman by his wife. The finer of the panels represents the dramatic trial by fire which the wife was obliged to undergo to prove her husband innocence. Rich draperies and sumptuous colors are applied to tall angular forms to create a work of rare formal elegance and high decorative appeal. In order to dignify the event, however, the artist has employed restrained gestures and expressions as well as a completely rationalized spatial setting. As in the Last Supper Altarpiece, a sense of solemn and hieratic importance is expressed by means of an austere and rigid geometry in the construction of both persons and places. The late productions of Bouts workshop, such as the well-known Pearl of Brabant Altarpiece, are characterized by the close collaboration of the painter two sons, Dirk the Younger (1448-1491) and Aelbrecht (1455/1460-1549). In the paintings of his less gifted sons, the master distinctive figure style was appreciably altered, though Dirk the Younger appears to have retained much of his father sensitivity to the landscape. In addition to his innovations in the depiction of landscape, Bouts made a substantial contribution to the development of the portrait. His Portrait of a Man (1462) localizes the sitter in an enlarged architectural setting while permitting the interior space to merge with the exterior through an open window. For the first time in Northern painting a common bond was forged between a particularized individual and the universal world of nature.

Dieric Bouts Portrait of a Man painting


Portrait of a Man
Dieric Bouts6.jpg
Painting ID::  202

  1462 The National Gallery, London
   
   
   

Titian

     

 Titian Portrait of a Man painting


Portrait of a Man
Titian1.jpg
Painting ID::  1674

  1512-13 Pinakothek, Munich
   
   
   

DOU, Gerrit

      Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.

DOU, Gerrit Portrait of a Man painting


Portrait of a Man
new3/DOU, Gerrit_FXbcPp.jpg
Painting ID::  19000

  1642-46 Oil on panel Aurora Art Fund
   
   
   

Orlandi, Deodato

      Flemish Northern Renaissance Painter, ca.1488-1541

Orlandi, Deodato Portrait of a Man painting


Portrait of a Man
new5/Orlandi, Deodato-898538.jpg
Painting ID::  19681

  Oil on panel Galleria degli Uffizi, Florence.
   
   
   

Albrecht Durer

      b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

Albrecht Durer Portrait of a Man painting


Portrait of a Man
new3/Albrecht Durer-697562.jpg
Painting ID::  28090

  mk61 1524 Oil on canvas 50x36cm
   
   
   

Next Painting     

Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online:
Glade in a Forest / Entry of Charles VIII into Florence dfg / Flowering Garden with Path -nn04- / Buffalocenter / Shepherd in the Alps we r / Self-Portrait / St.Cecelia with an Angel / Exotic Landscape / Resaca / abstract human lyric / Two Water Mills an Open Sluice / Homage to Manet / Bethelheights / Booneville / Griffin / art materials / Mountshasta / Falesti / Esbjerg / St Jerome in his Study / Henry VIII and the Barber Surgeons sf / Christ Chasing the Moneylenders from the / Venus and Mars / Artist's Son / Sandersville / View of Rome from Mt. Mario, In the Sout / Aberstwyth / age dutch golden in life still trade / Fauvism / Kuopio / Laslomas / Luhans'k / Portrait of Henri Groulart klh / Details of Thronende Madonna mit den Erz / Court buffoon / Wittenberge / Study for the Martyrdom of St.Symphorian / Portrait of Samuel Ampzing / Lais of Corinth sg / Adoration of the Christ /