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BELLANGE, Jacques
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| French Painter, ca.1575-1616 Jacques Bellange (c. 1575, place unknown - 1616) was an artist and printmaker from Lorraine, now in France, whose etchings and some drawings are his only securely identified works today. They are among the most striking Mannerist old master prints. His known artistic activity dates only from 1602 to 1616 and he is now familiar chiefly for his etchings and drawings, all his decorative works and most of his paintings having perished. His highly idiosyncratic style was inspired by such Italian artists as Parmigianino, by the School of Fontainebleau and by northern artists including Albrecht D?rer and Bartholomeus Spranger. His work would seem to express a private and nervous religious sensibility through a style of the greatest refinement. | ||||
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Lamentation of Christ new3/BELLANGE, Jacques-673766.jpg Painting ID:: 29184 |
mk65 Oil on canvas 45x69" | ||
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RUBENS, Pieter Pauwel
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| Flemish Baroque Era Painter, 1577-1640 | ||||
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Lamentation of Christ new3/RUBENS, Pieter Pauwel-472493.jpg Painting ID:: 29671 |
1617-18 Oil on panel, 138 x 90 cm (central panel), 137 x 48 cm (each side panel) | ||
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Andrea del Sarto
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| b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one. | ||||
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Lamentation of Christ new12/Andrea del Sarto-842829.jpg Painting ID:: 39606 |
mk150 c.1519/20 Singed Panel 99x120cm | ||
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Annibale Carracci
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| 1560-1609 Italian Annibale Carracci Locations Painter, draughtsman and printmaker, brother of (2) Agostino Carracci. Since his lifetime, he has been considered one of the greatest Italian painters of his age. His masterpiece, the ceiling (1597-1601) of the Galleria Farnese, Rome, merges a vibrant naturalism with the formal language of classicism in a grand and monumental style. Annibale was also instrumental in evolving the ideal, classical landscape and is generally credited with the invention of CARICATURE. | ||||
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Lamentation of Christ new12/Annibale Carracci-326334.jpg Painting ID:: 39615 |
mk150 c.1603 Copper 41x60.8cm | ||
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HEEMSKERCK, Maerten van
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| Netherlandish painter (b. 1498, Heemskerck, d. 1574, Haarlem). | ||||
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Lamentation of Christ new16/HEEMSKERCK, Maerten van-364984.jpg Painting ID:: 43530 |
1501-1550 1540-43 Oil on wood, 78,5 x 67,5 cm Museum of Fine Arts, | ||
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