|
BOCCACCINO, Boccaccio
|
||||
|
|
||||
| Italian painter, Cremonese school (b. before 1466, Ferrara, d. 1524/25, Cremona) He is first recorded in 1493 in Genoa, where he contracted to paint the high altarpiece (untraced) for S Maria della Consolazione. In 1497 he was extracted from prison in Milan by the agent of Ercole I d'Este, Duke of Ferrara, and worked for the Duke in Ferrara until 1500. Perhaps as a consequence of having killed his common-law wife he then left, presumably for Venice, where he is recorded as residing in 1505. A fresco in Cremona Cathedral is dated 1506. | ||||
|
|
||||
|
Gypsy Girl new3/BOCCACCINO, Boccaccio-858296.jpg Painting ID:: 29901 |
mk67 Panel 9 7/16x7 1/2in Uffizi,Gallery | ||
|
|
||||
|
Frans Hals
|
||||
|
|
||||
| 1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular. | ||||
|
|
||||
|
Gypsy Girl new16/Frans Hals-395427.jpg Painting ID:: 40434 |
mk156 c.1626 Oil on panel 58x52cm | ||
|
|
||||
|
Frans Hals
|
||||
|
|
||||
| 1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular. | ||||
|
|
||||
|
Gypsy Girl new21/Frans Hals-852457.jpg Painting ID:: 59193 |
Frans Hals. Gypsy Girl. 1628-30. Oil on wood, 58 x 52 cm. Mus??e du Louvre, Paris. | ||
|
|
||||
|
Frans Hals
|
||||
|
|
||||
| 1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular. | ||||
|
|
||||
|
Gypsy Girl new25/Frans Hals-398338.jpg Painting ID:: 88325 |
between 1628(1628) and 1630(1630) Medium Oil on wood cyf | ||
|
|
||||
|
Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online: |