Oil On Canvas, Real Flavor of Old Masters


Swedish

Spanish

English

French

German
A  B  C  D  E  F  G  H  I  J  K  L  M  N-O  P-Q  R  S  T-U  V  W-Z    Artist Index

Next Painting     

John Constable

      1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy

John Constable Full-scale study for The Hay Wain painting


Full-scale study for The Hay Wain
new24/John Constable-986565.jpg
Painting ID::  81910

  John Constable. Full-scale study for The Hay Wain. Oil on canvas. Victoria and Albert Museum, London Date C. 1821 cjr
   
   
   

Next Painting     

Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online:
Woman at her Bath / Caseyville / Oliver Kemp / The Entombment -05- / Meadowlakes / John Knox / Portrait of a Woman / The Whittling Boy / Bathsheba Receiving David-s Letter / Self-Portrait with Monkey / Tod und Himmelfahrt Marias / The Blue Boat -44- / Portrait of the Ottoman sultan Mehmed th / Blountsville / St Sebastian Attended by St Irene -08- / Gardendale / The Dream of 1940 -35- / Portrait of Lady Mary Guildford sf / Shepherdess / Anvik / La blonde Gasconne -11- / Chardin and His Models / Gersaint s Shop Sign / The Madonna in Majesty -detail- fgjg / Portrait of Two Young Men fd / View towards the rectory,East Bergholt 3 / Pieta ytnb / A Measure,from the Decameron 1904 / Landscape with Dancing Figures -The Mill / Roundel with Head / The Battle of Alexander / crown moulding foam / Village House sf / The Resurrection of Christ / View of Venice / Crowning with Thorns st / Monterey Dunes -42- / Cibecue / Allegory of Painting ag / Finding of Moses /