Oil On Canvas, Real Flavor of Old Masters


Swedish

Spanish

English

French

German
A  B  C  D  E  F  G  H  I  J  K  L  M  N-O  P-Q  R  S  T-U  V  W-Z    Artist Index

Next Art Work     

BALEN, Hendrick van

      Dutch Baroque Era Painter, ca.1575-1632 Hendrik van Balen (1575 - 1632) was a Flemish painter, who was born and died in Antwerp. Van Balen studied art while traveling in Italy. He was the teacher of Anthony Van Dyck and Frans Snyders and was also a contemporary of many of the other famous Flemish artists, such as the Brueghels, Jan and Peter.

BALEN, Hendrick van Holy Trinity USA oil painting artist


Holy Trinity
BALEN, Hendrick van2.jpg
Painting ID::  4928
Visit European Gallery
  1620s Oil on panel Sint-Jacobskerk, Antwerp

Height     Width


  INS/CM

X

  

unknow artist

     

unknow artist Holy Trinity USA oil painting artist


Holy Trinity
new4/unknow artist-385777.jpg
Painting ID::  30401
Visit European Gallery
  mk68 Tempera on wood 5'x3'9" Tretyakov State Gallery

Height     Width


  INS/CM

X

  

COECKE VAN AELST, Pieter

      Flemish Northern Renaissance Painter, ca.1502-1550 South Netherlandish painter, architect, and linguist. After extensive travels he settled in Antwerp, where he published (1539) a Flemish translation of Vitru-vius's De Architectura and (1539?C53) Serlio's multi-volume treatise into Flemish, French, and High German.

COECKE VAN AELST, Pieter Holy Trinity USA oil painting artist


Holy Trinity
new4/COECKE VAN AELST, Pieter-969568.jpg
Painting ID::  32288
Visit European Gallery
  Oil on panel, 98 x 84 cm

Height     Width


  INS/CM

X

  

unknow artist

     

unknow artist Holy Trinity USA oil painting artist


Holy Trinity
new11/unknow artist-864994.jpg
Painting ID::  38395
Visit European Gallery
  c. 1450 Wood, 64,5 x 54,5 cm Hungarian National Gallery, Budapest

Height     Width


  INS/CM

X

  

MASACCIO

      Italian Early Renaissance Painter, 1401-1428 was the first great painter of the Quattrocento period of the Italian Renaissance. His frescoes are the earliest monuments of Humanism, and introduce a plasticity previously unseen in figure painting. The name Masaccio is a humorous version of Tommaso, meaning "big", "fat", "clumsy" or "messy" Tom. The name was created to distinguish him from his principal collaborator, also called Tommaso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists. He was one of the first to use scientific perspective in his painting, employing techniques such as vanishing point in art for the first time. He also moved away from the Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more natural mode that employed perspective for greater realism. Masaccio was born to Giovanni di Mone Cassa??i and Jacopa di Martinozzo in Castel San Giovanni di Altura, now San Giovanni Valdarno (now part of the province of Arezzo, Tuscany). His father was a notary and his mother the daughter of an innkeeper of Barberino di Mugello, a town a few miles south of Florence. His family name, Cassai, comes from the trade of his grandfather Simone and granduncle Lorenzo, who were carpenters - cabinet makers ("casse", hence "cassai"). His father died in 1406, when Tommaso was only five; in that year another brother was born, called Giovanni after the dead father. He also was to become a painter, with the nickname of "Scheggia" meaning "splinter". The mother was remarried to an elderly apothecary, Tedesco, who guaranteed Masaccio and his family a comfortable childhood.

MASACCIO Holy Trinity USA oil painting artist


Holy Trinity
new12/MASACCIO-229368.jpg
Painting ID::  40173
Visit European Gallery
  mk156 c.1428 667x317cm

Height     Width


  INS/CM

X

  

Next Art Work