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Master of the Saint Ursula Legend
      Flemish Northern Renaissance Painter, active 1475-1500
Master of the Saint Ursula Legend Virgin and Child with an Angel USA oil painting artist


Virgin and Child with an Angel
new18/Master of the Saint Ursula Legend-658975.jpg
Painting ID::  51042
Visit European Gallery 		  1480-1500 Oil on oak panel, 36 x 27 cm

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Master of the Saint Ursula Legend
      Flemish Northern Renaissance Painter, active 1475-1500
Master of the Saint Ursula Legend Virgin and Child with an Angel USA oil painting artist


Virgin and Child with an Angel
new25/Master of the Saint Ursula Legend-485936.jpg
Painting ID::  85822
Visit European Gallery 		  Date between 1480(1480) and 1500(1500) Medium Oil on oak panel Dimensions Height: 36 cm (14.2 in). Width: 27 cm (10.6 in). cjr

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Correggio
      Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.
Correggio Virgin and Child with an Angel USA oil painting artist


Virgin and Child with an Angel
new25/Correggio-444564.jpg
Painting ID::  87015
Visit European Gallery 		  Date first half of 16th century Medium Oil on wood cjr

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Correggio
      Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.
Correggio Virgin and Child with an Angel USA oil painting artist


Virgin and Child with an Angel
new25/Correggio-378977.jpg
Painting ID::  87017
Visit European Gallery 		  Date first half of 16th century Medium Oil on wood cjr

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Master of the Legend of St. Lucy
      (fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
Master of the Legend of St. Lucy Virgin and Child with an Angel USA oil painting artist


Virgin and Child with an Angel
new25/Master of the Legend of St. Lucy-679943.jpg
Painting ID::  90006
Visit European Gallery 		  between 1480(1480) and 1500(1500) Medium oil on oak panel cyf

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