Oil On Canvas, Real Flavor of Old Masters

Swedish
Spanish
English
French
German
A  B  C  D  E  F  G  H  I  J  K  L  M  N-O  P-Q  R  S  T-U  V  W-Z    Artist Index
Next Art Work     
John Constable
      1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy
John Constable Stormy Sea USA oil painting artist


Stormy Sea
new9/John Constable-966393.jpg
Painting ID::  32960
Visit European Gallery 		  mk82 Brighton 20 July 1828

Height     Width


  INS/CM

X

  
Simon de Vlieger
      Dutch 1600-1653 Dutch painter, draughtsman, etcher and stained-glass designer. He was one of the leading marine and landscape artists of the Dutch school and decisively influenced the direction of Dutch marine art during the 1630s and 1640s. His late works anticipated the shift from the monochrome or tonal phase of Dutch marine art to the more classical style of Jan van de Cappelle and Willem van de Velde the younger (see MARINE PAINTING). Although de Vlieger reputation rests chiefly on his marine paintings, he was also a notable draughtsman and etcher.
Simon de Vlieger Stormy Sea USA oil painting artist


Stormy Sea
new25/Simon de Vlieger-674644.jpg
Painting ID::  84653
Visit European Gallery 		  Date first half of 17th century Medium Oil on wood Dimensions Height: 37 cm (14.6 in). Width: 49.5 cm (19.5 in). cjr

Height     Width


  INS/CM

X

  
Simon de Vlieger
      Dutch 1600-1653 Dutch painter, draughtsman, etcher and stained-glass designer. He was one of the leading marine and landscape artists of the Dutch school and decisively influenced the direction of Dutch marine art during the 1630s and 1640s. His late works anticipated the shift from the monochrome or tonal phase of Dutch marine art to the more classical style of Jan van de Cappelle and Willem van de Velde the younger (see MARINE PAINTING). Although de Vlieger reputation rests chiefly on his marine paintings, he was also a notable draughtsman and etcher.
Simon de Vlieger Stormy Sea USA oil painting artist


Stormy Sea
new25/Simon de Vlieger-429888.jpg
Painting ID::  88465
Visit European Gallery 		  half of 17th century Medium Oil on wood cyf

Height     Width


  INS/CM

X

  
Next Art Work