Oil On Canvas, Real Flavor of Old Masters

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Maufra Maxime Emile Louis
      Nantes 1861-Ponce-sur-Loir,Sarthe 1918
Maufra Maxime Emile Louis Paysage USA oil painting artist


Paysage
new4/Maufra Maxime Emile Louis-844739.jpg
Painting ID::  31120
Visit European Gallery 		  mk71 Toile H.0.46 L.0.54 Musee de Cambrai

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Salomon van Ruysdael
      Salomon van Ruysdael (c. 1602, Naarden - buried Nov 3, 1670, Haarlem) was a Dutch landscape painter. He was the uncle of Jacob van Ruisdael.
Salomon van Ruysdael Paysage USA oil painting artist


Paysage
new23/Salomon van Ruysdael-944896.jpg
Painting ID::  70646
Visit European Gallery 		  Medium Oil on canvas Dimensions Expression error: Missing operand for *40 ?? 80 cm

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Emile Bernard
      1868-1941 French Emile Bernard Galleries (b Lille, 28 April 1868; d Paris, 15 April 1941). French painter and writer. He was the son of a cloth merchant. Relations with his parents were never harmonious, and in 1884, against his fathers wishes, he enrolled as a student at the Atelier Cormon in Paris. There he became a close friend of Louis Anquetin and Toulouse-Lautrec. In suburban views of Asnires, where his parents lived, Bernard experimented with Impressionist and then Pointillist colour theory, in direct opposition to his masters academic teaching; an argument with Fernand Cormon led to his expulsion from the studio in 1886. He made a walking tour of Normandy and Brittany that year, drawn to Gothic architecture and the simplicity of the carved Breton calvaries. In Concarneau he struck up a friendship with Claude-Emile Schuffenecker and met Gauguin briefly in Pont-Aven. During the winter Bernard met van Gogh and frequented the shop of the colour merchant Julien-Franois Tanguy, where he gained access to the little-known work of Cezanne.
Emile Bernard Paysage USA oil painting artist


Paysage
new26/Emile Bernard-787633.jpg
Painting ID::  97704
Visit European Gallery 		  oil on canvas, 73 x 92 cm Date between 1905(1905) and 1907(1907) cyf

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robert delaunay
      French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life, leaving a legacy of influential writings on the development of abstract art.
     This artist (robert delaunay) is not available now.
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