Oil On Canvas, Real Flavor of Old Masters

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Artist: Paul Delaroche
Paul Delaroche Hemicycle USA oil painting reproduction


Paul Delaroche Hemicycle USA oil painting reproduction

Painting ID::  62862
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Hemicycle
1837 Encaustic wall painting ecole Nationale Superieure des Beaux-Arts, Paris In 1837 Delaroche was given an important commission. It was to decorate the apse of the ecole des Beaux-Arts with a cycle of more than 70 of the most famous artists since Antiquity. This pantheon of art was known as the Hemicycle, and for decades it served artists from every country as a model of allegorical fresco painting. In the execution Delaroche went back to the antique technique of encaustic, and was the first artist to do so. This is a method in which hot melted wax is poured over the plaster, and it gives the painting a smooth quality that also repels damp. The German artist Julius Schnorr von Carolsfeld used the same technique for the wall paintings in the Residenz in Munich which he executed for King Ludwig I. The picture shows the right side of the painting. Artist: DELAROCHE, Paul Title: Hemicycle (detail) , painting Date: 1801-1850 French : other
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Artist: HOLBEIN, Hans the Younger
HOLBEIN, Hans the Younger The Passion USA oil painting reproduction


HOLBEIN, Hans the Younger The Passion USA oil painting reproduction

Painting ID::  63717
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The Passion
1524-25 Oil on limewood, 39 x 31 cm (size of detail) Kunstmuseum, ?ffentliche Kunstsammlung, Basle The picture shows a detail of the scene Via Crucis. The background of the scene opens up as a broad landscape. The perspective effect of distance is achieved by traditional colourist means, with the foreground, centre ground, and background being clearly distinguished in brown, greenish, and blue tones respectively. Continuity is provided by a procession of riders and infantry, whose size diminishes steadily towards the background, taking the eye into the landscape.Artist:HOLBEIN, Hans the Younger Title: The Passion (detail) Painted in 1501-1550 , German - - painting : religious
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Artist: Giovanni Battista Tiepolo
Giovanni Battista Tiepolo The Scourge of the Serpents USA oil painting reproduction


Giovanni Battista Tiepolo The Scourge of the Serpents USA oil painting reproduction

Painting ID::  63766
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The Scourge of the Serpents
The Scourge of the Serpents (detail) 1732-35 Oil on canvas, 164 x 1356 cm (complete frieze) Gallerie dell'Accademia, Venice During the 1720s Giambattista Tiepolo developed a new colouristic style of painting derived in principle from the dazzling palette of Veronese and the no less brilliant one of Sebastiano Ricci. Rejecting the tenebrous colour of Piazzetta, we witness in Tiepolo the triumph of colour with a richness of resonance and counterpoint elaborated within the ordered and monumental composition. The great frieze, originally below the choir of the Venetian church of SS. Cosma and Damiani on the Giudecca (Zanetti 1771), is a fine example of Tiepolo's work of the 1730s. The painting in its ornate stucco frame decorated with fruit, flowers and leaves is over 13 metres long. Three episodes are depicted with a decorative illusionism contrasting with the declared realist-narrative intent, rendering the painting somewhat melodramatic effect.Artist:TIEPOLO, Giovanni Battista Title: The Scourge of the Serpents (detail) Painted in 1701-1750 , Italian - - painting : religious
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Artist: Giovanni Battista Tiepolo
Giovanni Battista Tiepolo Christ Carrying the Cross USA oil painting reproduction


Giovanni Battista Tiepolo Christ Carrying the Cross USA oil painting reproduction

Painting ID::  63767
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Christ Carrying the Cross
1737-38 Oil on canvas, 450 x 517 cm Sant'Alvise, Venice The subject of the painting is Christ's carrying of the cross to the hill of Golgotha, which rises up in the centre of the picture as a tall rock, the crosses already erected upon it. Directly beneath it in the foreground we see Christ in a flame red robe. He has collapsed under the heavy weight of the cross. To the right, Veronica, holding the sudarium, turns away from the dramatic scene, visibly moved. To the left, the two thieves likewise condemned to crucifixion are being led forward. In the exact centre of the picture, between Christ's cross and the hill of Golgotha, and directly facing the viewer, are the figures of Jesus' disciples, together with Mary and Mary Magdalene. Brightly illuminated, they stand out symbolically from the other figures.Artist:TIEPOLO, Giovanni Battista Title: Christ Carrying the Cross Painted in 1701-1750 , Italian - - painting : religious
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Artist: RAFFAELLO Sanzio
RAFFAELLO Sanzio The Battle of Ostia USA oil painting reproduction


RAFFAELLO Sanzio The Battle of Ostia USA oil painting reproduction

Painting ID::  63798
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The Battle of Ostia
1514-15 Fresco, width at base 770 cm Stanza dell'Incendio di Borgo, Palazzi Pontifici, Vatican In AD 849 the Arab fleet attacked the papal forces, but was destroyed by a storm. On the left, Leo IV, in the figure of Leo X, can be seen giving thanks. The scene is probably a reference to Leo's intentions to mount a crusade against the Turks. The fresco is the work of workshop assistants.Artist:RAFFAELLO Sanzio Title: The Battle of Ostia Painted in 1501-1550 , Italian - - painting : religious
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Artist: RAFFAELLO Sanzio
RAFFAELLO Sanzio Vision of the Cross USA oil painting reproduction


RAFFAELLO Sanzio Vision of the Cross USA oil painting reproduction

Painting ID::  63807
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Vision of the Cross
1520-24 Fresco Stanza di Constantino, Palazzi Pontifici, Vatican The view of the "Tomb-pyramid of Romulus", which is no longer there, and the so-called Citadel of Sant'Angelo together with the bridge of Sant'Angelo, is an example of Raphael's interest in ancient Rome. The view Raphael has chosen more or less matches the view he had of Rome in 1520 from his Vatican loggie, which are located right behind the wall painted with the fresco. The Citadel of Sant'Angelo appears to be Raphael's reconstruction of the original ancient building, the erstwhile Hadrian Mausoleum, as it might have looked in the days of Emperor Constantine. By depicting this view of ancient Rome, Raphael is suggesting to anyone viewing that fresco that Constantine experienced his vision in the precise place where the Vatican State is now located. By this means Raphael was able to confirm in a very subtle manner, that the Popes had established themselves in Rome - more specifically - in the Vatican.Artist:RAFFAELLO Sanzio Title: Vision of the Cross (detail) Painted in 1501-1550 , Italian - - painting : historical
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Artist: Peter Severin Kroyer
Peter Severin Kroyer sankt hansblus pa skagen strand USA oil painting reproduction


Peter Severin Kroyer sankt hansblus pa skagen strand USA oil painting reproduction

Painting ID::  64674
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sankt hansblus pa skagen strand
1906 se
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Artist: Piero della Francesca
Piero della Francesca the legend of the true cross, detail USA oil painting reproduction


Piero della Francesca the legend of the true cross, detail USA oil painting reproduction

Painting ID::  64903
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the legend of the true cross, detail
constantine's victory over maxentius, details se
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Artist: unknow artist
unknow artist Hans Herbst USA oil painting reproduction


unknow artist Hans Herbst USA oil painting reproduction

Painting ID::  65309
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Hans Herbst
650 ?? 337 pixels
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Artist: unknown artist
unknown artist Lucas Jordan USA oil painting reproduction


unknown artist Lucas Jordan USA oil painting reproduction

Painting ID::  66658
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Lucas Jordan
18 October 1634
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Artist: oranien
oranien kriget USA oil painting reproduction


oranien kriget USA oil painting reproduction

Painting ID::  67019
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kriget
1615 se
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Artist: oranien
oranien pa diego velazquez USA oil painting reproduction


oranien pa diego velazquez USA oil painting reproduction

Painting ID::  67021
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pa diego velazquez
1634 se
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Paintings::. All people >> war