Oil On Canvas, Real Flavor of Old Masters

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Artist: Joaquin Sorolla
Joaquin Sorolla On the beach USA oil painting reproduction


Joaquin Sorolla On the beach USA oil painting reproduction

Painting ID::  61715
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On the beach
mk275 1910 Oil on canvas 100 x 115 cm Art Museum St. Louis, Missouri
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Artist: Joaquin Sorolla
Joaquin Sorolla Portrait of Antonia to sing the Queen in Europe USA oil painting reproduction


Joaquin Sorolla Portrait of Antonia to sing the Queen in Europe USA oil painting reproduction

Painting ID::  61856
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Portrait of Antonia to sing the Queen in Europe
mk275 1908 Oil on canvas 150 x 118cm Mudd Resor Royar memorial hall
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Artist: Pontormo
Pontormo Reported pregnancy plans USA oil painting reproduction


Pontormo Reported pregnancy plans USA oil painting reproduction

Painting ID::  62033
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Reported pregnancy plans
mk276 1526 frescos years Kaposi Chapel 250 x 110cm
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Artist: William Hogarth
William Hogarth The woman clutching his heart USA oil painting reproduction


William Hogarth The woman clutching his heart USA oil painting reproduction

Painting ID::  62170
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The woman clutching his heart
mk279 Oil on canvas 100.4 x 126.5 1759 years
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Artist: William Hogarth
William Hogarth Pharaoh's daughter USA oil painting reproduction


William Hogarth Pharaoh's daughter USA oil painting reproduction

Painting ID::  62171
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Pharaoh's daughter
mk279 Oil on canvas 172.7 x 208.3cm 1746 years
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Artist: Giovanni Battista Tiepolo
Giovanni Battista Tiepolo Mandolin played the young woman USA oil painting reproduction


Giovanni Battista Tiepolo Mandolin played the young woman USA oil painting reproduction

Painting ID::  62181
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Mandolin played the young woman
mk280 Oil on canvas 92.1 x 74.9cm
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Artist: Sandro Botticelli
Sandro Botticelli Judith Villa return USA oil painting reproduction


Sandro Botticelli Judith Villa return USA oil painting reproduction

Painting ID::  62203
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Judith Villa return
mk281 Year 1469-1470
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Artist: Sandro Botticelli
Sandro Botticelli Courage USA oil painting reproduction


Sandro Botticelli Courage USA oil painting reproduction

Painting ID::  62213
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Courage
mk281 1470
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Artist: GRECO, El
GRECO, El Penitent Magdalen USA oil painting reproduction


GRECO, El Penitent Magdalen USA oil painting reproduction

Painting ID::  62342
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Penitent Magdalen
118 x 105 cm Private collection Autograph version, signed 'dom?nikos theot?kopoulos epoiei'. It is a late composition of the artist, recalling the iconography of Titian. Author: GRECO, El Title: Penitent Magdalen , 1551-1600 , Spanish Form: painting , religious
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Artist: Caravaggio
Caravaggio Magdalene USA oil painting reproduction


Caravaggio Magdalene USA oil painting reproduction

Painting ID::  62386
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Magdalene
122,5 x 98,5 cm Galleria Doria-Pamphili, Rome This picture and The Rest on the Flight into Egypt must have been painted around the same time, for the same girl sat for the Magdalene and the Madonna. On this occasion, however, there are none of the usual signs of a religious scene such as a halo. A young girl, seen from above, is seated on a low stool in one of Caravaggio's favourite cave-like settings, with a triangle of light high up on the wall behind her. Discarded jewellery - a string of pearls, clasps, a jar (perhaps holding precious ointment) - lies on the floor. The girl's hair is loose, as if it has just been washed. Her costume, consisting of a white-sleeved blouse, a yellow tunic and a flowery skirt, is rich. Bellori, who gives a careful description of this picture, which he came across in the collection of Prince Pamphilj, regards its title as an excuse; for him it is just a naturalistic portrayal of a pretty girl. This seems to show a willful failure to understand Caravaggio's intention or the wishes of the man who commissioned it, Monsignor Petrignani. The repentant Mary Magdalene, like the repentant Peter, was a favourite subject of Counter-Reformation art and poetry, which valued the visible expression of the state of contrition 'the gift of tears'. Caravaggio's heroine is sobbing silently to herself and a single tear falls down her cheek. She is, as it were, poised between her past life of luxury and the simple life she will embrace as one of Christ's most faithful followers. It is a sign of the painter's skill that he makes this inner conflict moving at the same time as he makes its representation delectable. Although nothing painted in the sixteenth century is as emotive as the statue in wood of the haggard saint carved by Donatello (c.1456-60), by the time Titian's bare-breasted Magdalene of the 1530s (Palazzo Pitti, Florence) had become the more modest and affecting Magdalene of the 1560s, there had been a move in religious sensibility towards the humble and pathetic, a change which thirty years later Caravaggio could take for granted
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Artist: Caravaggio
Caravaggio St Catherine of Alexandria USA oil painting reproduction


Caravaggio St Catherine of Alexandria USA oil painting reproduction

Painting ID::  62387
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St Catherine of Alexandria
173 x 133 cm Thyssen-Bornemisza Collection, Madrid The painting formerly belonged to Cardinal Del Monte, one of the artist's patrons. Here we see a single female figure in an interior devoid of architectural allusions. The image appears with a boldness and an immediacy that combine the nobility of the subject (St Catherine was a king's daughter) with the almost plebeian pride of the model (no doubt a Roman woman of the people, who appears on other paintings of the artist, too). The breadth of conception and realization, and the perfect mastery of a very difficult composition (the figure and objects completely fill the painting, in a subtle play of diagonals) are striking. Caravaggio here chose a "grand" noble approach that heralds the great religious compositions he would soon do for San Luigi dei Francesi. The extraordinary virtuosity in the painting of the large, decorated cloth is absorbed as an integral part of the composition. This is something his followers would not often succeed in doing, for they frequently dealt with the single components of the painting individually, with adverse effects on the unity of the whole.
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Artist: Juan de Flandes
Juan de Flandes Herodias Revenge USA oil painting reproduction


Juan de Flandes Herodias Revenge USA oil painting reproduction

Painting ID::  62420
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Herodias Revenge
75 x 50,4 cm Museum Mayer van den Bergh, Antwerp Herod and Herodias sit at a table in a Renaissance interior. Salome presents the severed head of John the Baptist to them on a platter.Herod recoils from the atrocity, but Herodias holds a knife ready to pierce John's tongue in revenge for the saints's denunciation of her sinful behaviour. The panel belonged to an altarpiece devoted to the story of John the Baptist which was painted in 1496 for the Carthusian monastery of Miraflores near Burgos. The original form of the altarpiece has been partially reconstructed. Its central panel was the Baptism of Christ, now in a Madrid collection. Each wing consisted of at lest two panels placed one on top of the other. Although the work of Juan de Flandes is not really Southern Netherlandish in character, we nevertheless detect the clear influence of painters from Ghent and Bruges, especially Hugo van der Goes. He uses painterly techniques to create a strange atmosphere. The bright lighting and accentuation of the green, red and orange sections generate a nervous tension. Placing the main protagonists in the foreground lends the scene an expressive aura and a pronounced monumentality, which is further heightened by the dramatic movement, the sharply delineated forms and the realistic appearance of the figures. Author: JUAN DE FLANDES Title: Herodias' Revenge , 1501-1550 , Spanish Form: painting , religious
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