|
Baron Jean-Baptiste Regnault
|
|
|
|
|
|
The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd
Painting ID:: 44030
new16/Baron Jean-Baptiste Regnault-562699.jpg
|
|
|
|
|
|
|
|
Baron Jean-Baptiste Regnault
|
|
Paris 1754-1829
French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs. |
|
The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd |
|
1785
Oil on canvas,
120 x 140 cm |
|
Related Paintings::.
| Saint George Killing the Dragon | Duchess of Alba | People at the table in the Dance hall | |
|
|
|
