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Self-Portrait in Black Cloak -12- ashland new oil painting york Floris Verster Lahabraheights Daugavpils Angel Announcing -detail- 154454 The Genoese Senator--s Wife Trinity Alfonso I d'Este Tsit'eli-Tsqaro Jacques de Stella Aristide Maillol Vase of Flowers af Design At the Races in the Country The Saint Augustine Polyptych La Procession de Saint-josse Room of the Giants -nn03- Semiramis animal planet.com St. George on Horseback af Chasseur of the Imperial Guard,Charging watercolor workshops The Marriage at Cana -detail- aer Seated Old Woman Lilian Hawkins framed poster Portrait of Achille Emperaire Thompsonville alton new oil painting york GUERCINO L-Escalier -The Staircase- --nn01- Wloclawek Stettheimer Florine Szczecin The Marriage Feast at Cana Portrait of a Young Woman with a String Diana Leaving the Bath -05- Juno Saint John the Baptist sf
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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