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Duck and Pigeon The Happiness of the Regency -05- After the Bath A Gathering of Friends af Portrait of Hans Christian Andersen Flowering Garden -nn04- Mararetha de Geer -33- A Young Lady in Profile Portrait of Philadelphia and Elisabeth C Frank Buscher Londonderry Painting Mrezicko Henry McCarter Self-Portrait with Tow Circles The Virgin and the Child 2 Portrait of Julia Makovskaya, The Artist The Young Mothers L-Arlesienne -nn04- View of Dordrecht ds best oil painting Mrs John Jay Chapman Child with Cat -Julie Manet- The Sheep Shearers Sunvalley Skull -nn04- Pointclear The Reconciliation of the Montagues and Commerce Pear Tree in a Walled Garden The Meeting of Joachim and Anna at the G Cuneo Charles Towneley-s Library in Park Stree White Realistic Rose Still-Life with Garland of Flowers and G Tyrolean Landscape Time La Comtesse Regnault de Saint-Jean d-Ang Ancient Ruins with a Great Arch and a Co Portrait of Maria de-Medici Burgos
Rupert Bunny:
Australian Painter, 1864-1947 Australian painter. After studying in Melbourne under G. F. Folingsby (d 1891), he moved to Europe in 1884 and studied in London under P. H. Calderon and in Paris under Jean-Paul Laurens, who introduced him to the Societe des Artistes Francais in 1887. His early works consisted mainly of mythological subjects and graceful images of pleasant Symbolist landscapes; he defected to the New Salon in 1901 and produced some less decorative works, including images of biblical subjects. A long series of paintings of women followed, but his style again changed abruptly when in 1913 he exhibited at the Salon d'Automne a series of images of dancers, The Rite, that shows the influence of Primitivism. Although not attracted to the avant-garde, Bunny showed an adventurous spirit in his unusual sense of colour, sense of rhythm and witty use of his subjects' poses. He continued to live in Paris and London until 1933.








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