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Figures outside a roadside inn -47- The Orange Background of Workroom The Virgin of Chancellor Rolin -detail- James Walter Robert Linton The Burial of Atala Kennard Aunt Jemima at eh Columbian Exposition i Group Portrait of the Arquebusiers of Am Self-Portrait as Abbot of the Accademigl Distant Foothills Bargersville Miracle of the Desecrated Host -Scene 6- Pier Portrait of the Margrave Casimir of Bran Elsegundo Reececity Northjohns The Sourec Madame de Pompadour Dearborn Mountainous Landscape A Village Celebration Kake Gauguin-s Chair with Books and Candle Brussels Rapla Molesey Weir-Morning Portrait de Jenne homme de profil -df02- Love Triumphant The Crucifixion with the Virgin and Sain Ferry Boat -detail- Dayton Christ Chasing the Moneylenders from the THe Bermuda Group Landscape with Birds ar Arrival of a Dutch Three-master at Schlo The Birth of Rachel dgs The Painter with His Family Jensenbeach Hippolyte camille delpy
Rupert Bunny:
Australian Painter, 1864-1947 Australian painter. After studying in Melbourne under G. F. Folingsby (d 1891), he moved to Europe in 1884 and studied in London under P. H. Calderon and in Paris under Jean-Paul Laurens, who introduced him to the Societe des Artistes Francais in 1887. His early works consisted mainly of mythological subjects and graceful images of pleasant Symbolist landscapes; he defected to the New Salon in 1901 and produced some less decorative works, including images of biblical subjects. A long series of paintings of women followed, but his style again changed abruptly when in 1913 he exhibited at the Salon d'Automne a series of images of dancers, The Rite, that shows the influence of Primitivism. Although not attracted to the avant-garde, Bunny showed an adventurous spirit in his unusual sense of colour, sense of rhythm and witty use of his subjects' poses. He continued to live in Paris and London until 1933.








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