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Pierre Patel Leaving Church in the Fifteenth Century Faggot Carriers Portrait of Lady Wolverton,nee Georgiana Orazio Riminaldi The Departure of the Doge on Ascension D Fisherman-s wife on the Beach -nn04- Girl holding a Slate -46- Kitchen Garden at L-Hermitage,Pontoise Portrait of a Woman sg hint life still Yosemite Winter Scene Fire -detail- vzdf Windmill, Dangast Agcabadi The Rue Montorgueil,3oth of June 1878 Stigmatization of St Catherine of Siena 1770 The Huntington Art Collections, San Pietro vannucci called IL perugino Portrait of Sir William Butts sg Venice Viewed from the San Giorgio Maggi painting the beauty of flower with oil Glad Day antique wood frame Hermann.Yeletsky framed texas flag Portrait of Jacopo Gradenigo sg William Frand Calderon McAllen Roann Holy Family -Sacra Conversazione- ewt Winter bvvbv Child in White Four Saints of the Quaratesi Polyptych Landscape with Peace and Justice Embraci shanghai The Fairy Teller's Masterstroke Le Christ dans la maison de Marthe et Ma Kerstiaen de Keuninck Conciliarism Painting |
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Rupert Bunny:
Australian Painter, 1864-1947
Australian painter. After studying in Melbourne under G. F. Folingsby (d 1891), he moved to Europe in 1884 and studied in London under P. H. Calderon and in Paris under Jean-Paul Laurens, who introduced him to the Societe des Artistes Francais in 1887. His early works consisted mainly of mythological subjects and graceful images of pleasant Symbolist landscapes; he defected to the New Salon in 1901 and produced some less decorative works, including images of biblical subjects. A long series of paintings of women followed, but his style again changed abruptly when in 1913 he exhibited at the Salon d'Automne a series of images of dancers, The Rite, that shows the influence of Primitivism. Although not attracted to the avant-garde, Bunny showed an adventurous spirit in his unusual sense of colour, sense of rhythm and witty use of his subjects' poses. He continued to live in Paris and London until 1933.
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