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The Mackes- Garden at Bonn The Great Bouquet df Hammerlest Melancholia I -45- The Nurture of Bacchus -detail- af BARTOLOMEO DI GIOVANNI An Allegory of the Vanities of Human Lif Meadowvista Fumee d-ambre gris -32- Pablo Picasso -38- The end of the day Monument to Michelangelo ar custom picture frame The Picnic The Departure -13- Dunkirk Interior in the Rue des Moulins -09- Portclarence The Coronation of the Virgin -df01- Quinhagak Les Alyscamps -nn04- Portrait of Vicomtesse Louise-Albertine An Evening Symphony The Biglin Brothers Bacing Apple Tree Branch in Flower The Setting of the Sun Coal Barges -nn04- The Bean Eater Judith and Holofernes iyi Sacred Allegory The Concert -detail- rey Gentiluomo -45- Portrait of Anthonie Charles de Liedeker The Desperate Man Fuzuli STUBBS, George Battle of San Roman Madame Victor Chocquet Flower Still-life with Crucifix and Skul Charles Hawthorne
David Young Cameron:
British master of landscape and architectural views. Glasgow ,1865-1945 is a Scottish painter and etcher. He was trained at the Glasgow and Edinburgh Schools of Art in the 1880s. From 1887-1892 he was a member of the Royal Society of Painter-Etchers. It was during this time that he published a number of sets of etchings (such as "The Clyde Set", "The North Holland Set" and "The North Italian Set"). In general his prints feature areas of great darkness, offset by highlights. Cameron would later become known for his church interiors and barren landscapes of Scotland done in drypoint. The feathery lightness of these drypoints was in visual contrast with the rock and water of the subjects. He became highly sought after by collectors, until the Great Crash in 1929 brought a collapse in prices for prints in general. He exploited his popularity by producing an unprecedented number of states of his prints, and is believed to hold the record at twenty-eight states in one case. Cameron became a Royal Academician in 1920.








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