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Course of Empire Bataille d-Allemands contre les Turcs Mikula Selianinovich Wedding of Saint Catherine,details Pay one-s respects to Belei Moonlit Landscape The Biglin Brothers Bacing The Surgeon Doc. The Empress Eugenie Surrounded by her La Portrait of Fedra Inghirami South Uist Bust of an Old Man in a Fur Cap wood picture frame moulding Sherwoodmanor Sankt Gallen Strasbourg Portrait of Hendrickje Stoffels Lakenacimiento The Remorse of Nero after the Murder of Ascension of Christ sdg Le Jardin de Vetheuil Cuirassiers at the Tavern The Seine at Herblay Louise Rayner Summer Scene Self-Portrait in Black Cloak -12- St Ambrose with Saints fdghf The City -nn02 The Yellow Animal The Parasol Calamus Momper, Franqois de Jesus at the Tomb Udine The Four Philosophers -08- Ladonia A Lady and Two Gentlemen -detail- ewt Sandimas Birdseye The Marne at La Varenne-St-Hilaire La Ma
Rupert Bunny:
Australian Painter, 1864-1947 Australian painter. After studying in Melbourne under G. F. Folingsby (d 1891), he moved to Europe in 1884 and studied in London under P. H. Calderon and in Paris under Jean-Paul Laurens, who introduced him to the Societe des Artistes Francais in 1887. His early works consisted mainly of mythological subjects and graceful images of pleasant Symbolist landscapes; he defected to the New Salon in 1901 and produced some less decorative works, including images of biblical subjects. A long series of paintings of women followed, but his style again changed abruptly when in 1913 he exhibited at the Salon d'Automne a series of images of dancers, The Rite, that shows the influence of Primitivism. Although not attracted to the avant-garde, Bunny showed an adventurous spirit in his unusual sense of colour, sense of rhythm and witty use of his subjects' poses. He continued to live in Paris and London until 1933.








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