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Riverview At the Seaside The Woman of spanish had on a shawl Blac Quincy-eastquincy Winter Light and Shadows Cash deep sea creature The Forest Fire The Sacrifice of Isaac The Polish Rider An extensive river landscape with drover The Madonna in Glory Dixmoor The Prophet Nilwood monet ticket Anthony Abbot -05- St Mary-s Square and St Mary-s Church at Woman Knitting Maesta fdg Portrait of Maria Dyakova Wild Cattle at Chillingham -nn03- Pantocrator Supported by Angels Seated Nude -39- The Painter Jan Asselyn The Massacre of the Innocents -25- Rinaldo Cuneo Raritan Arthur Melville,ARSA,RSW,RWS Apachejunction You Crucifixion Children Carving May Flutes A cart and horses,with a carter and a do Dessau Experiment with the Air-Pump The General Duke of San Miguel The Annunciation Pellcity A Hunter with Dogs Against a Landscape
Ignacio Zuloaga y Zabaleta:
July 26, 1870 - October 31, 1945 Spanish Basque painter. He studied in Paris in 1891, coming under the influence of Impressionism and of the group of Catalan painters around Santiago Rusieol. His visit to Andalusia in 1892 provided the key to his later work, leading him to replace the grey tonalities of his Paris paintings with more brightly coloured images of Spanish folkloric subjects and of male or female figures in regional dress, for example Merceditas (1911/13; Washington, DC, N.G.A.). Zuloaga turned to Castilian subjects in works such as Segoviano and Toreros de Pueblo (both 1906; both Madrid, Mus. A. Contemp.) after the defeat suffered by Spain in the Spanish-American War of 1898; like the group of writers known as the Generation of 98, with whom he was associated and who were among his most articulate supporters, he sought to encourage the regeneration of his country culture but with a critical spirit..








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