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Nasturtiums in The Dance -II- -35- Portrait of Jean de Montfort Annunciation A View of Modern Rome Laus Veneris Battle of the Amazons Slatina Cat in Red Necklace SAN DIEGO MUSEUM of ART I hung the washsing out thereat The Cyclops Polyphemus dfg Veronese The Artist, Emile Bernard Greek Madonna Portrait of a Patient in Saint-Paul Hosp Madonna and Blessing Child fdg cheap framed picture Guitar apple and water bottle Vision Key West, Hauling Anchor model railroad scenery Carrollwoodvillage Dedham Lock and Mill Salisbury cathedral from the bishop-s ga Sacraments Altarpiece Heerlen Clio Tryptych with the Adoration of the Magi, Silverton Off the Coast of Cornwall The Cross and the World Liberty Leading the People -05- Beardstown Trinity and Six Saints Portrait of William Warham, Archbishop o The Parable of the Labourers in the Vine Portrait of Charles II of Bourbon Herrick The Visitation df The First Tear
Harry Roseland:
(c.1867-1950) was one of the most notable painters of the genre painting school around the turn of the 20th century. An American, Roseland was primarily known for paintings centered on poor African-Americans. Roseland was largely self-taught, and never traveled to Europe to study art, as did many of the American artists of his time. However, he did receive instruction from John Bernard Whittaker and later, James Carroll Beckwith. One of his most popular subjects were his paintings of black women fortune tellers who read the palms and tea leaves of white women clients. These paintings were widely reproduced during the early 20th century in the form of postcard sets and large full-colour prints that were distributed as Sunday supplements in newspapers. While known most for his paintings of African Americans, his work encompassed many genres, including seascapes and portraits. He also gained renown for his paintings of laborers in the coastal areas of New England and New York and his many interior paintings. Roseland was born and lived his entire life in Brooklyn.








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