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Madawaska Acadian Light Heavy Eva Gonzalez Chelsea Pensioners Reading the Gazette o Swifton Kalvarija The Honorable Mrs Graham Harvest at La Crau,with Montmajour in th clip art image Gare Saint-Lazare Frank Holl Madonna with the Child 57 The Dream -35- Tallassee Sir Nathaniel and Lady Caroline Curzon Rodneyvillage Saints augustine and hubert burning ince The Bay of Marseilles,seen from l-Estaqu Field of Poppies Portrait du Sculpteur Martinez Montanes Sportsmen Going out The Duke of Urbino Gathering Plums -nn02- america comes havemeyers impressionism reproduction of famous oil painting The Fight in the Forest La cathedrale de Sens -11- Killed the Prince Dr.Paul Gachet Hakkari Chrisney Hoopeston Philip IV in Broun and Silver -df01- Bust of a Youth sg Michelino Noble St.Monica Nocturne Landscape with Washerwomen fdu Adam Pynacker MIJN, George van der
Stettheimer Florine:
American Painter, 1871-1944 was an American artist. She has been described as "a Deco-influenced early Modernist who??s never really gotten her due". Stettheimer was born in Rochester, New York to a wealthy family. She spent much of her early life traveling, studying art in Italy, Spain, France, Germany, and Switzerland. She studied for three years in the mid-1890s at the Art Students League in New York, but came into her own artistically upon her permanent return to New York after the start of World War I. In October 1916, the only one-person exhibition of her work during her lifetime took place at New York's Knoedler & Company. She exhibited 12 "high-keyed, decorative paintings", none of which were sold. Cushioned by family resources, Stettheimer refrained from self-promotion and considered her painting "an entirely private pursuit". She intended to have her works destroyed after her death, a wish defied by her sister Henrietta, her executor. Stettheimer's privileged position pervades her work. As one critic has written, "money she regarded as a birthright, decidedly not something to be flaunted in the shape of a dozen yachts, but rather to be used as a palliative against the more unpleasant aspects of the world outside








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