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Portrait of a Man -05- Padua- The Prato della Valle with Santa Albrecht Altdorfer Mystic Nativity -36- BOSSCHAERT, Ambrosius the Elder Painting Noli me Tangere -detail th The Conversion of St Paul dfg Cathedralcity Injured heart Old Farmhouses The Virgin and Child under the Apple Tre MOLENAER, Jan Miense In the Time of Constantine -23- The Post of Woman Bathing Women Venice,from the Lagoon -31- Natoire, Charles Joseph Kahului The Prophetess Libusa Portrait of a Man qrt Ayrshire Atkinson Grimshaw Skagway Promise of Spring The Doge of Venice goes to the Salute on Town Falls of Kaaterskill The Column of St Mark in Venice Owaneco View from Hampstead Heath,Looking West Moweaqua Sir Galahad at the Ruined Chapel -28- Blueridge Wheatfield bed frame queen wood River A Young woman with a palm reader Claes Duyst van Voorhout s Self-Portrait with Hourglass
Stettheimer Florine:
American Painter, 1871-1944 was an American artist. She has been described as "a Deco-influenced early Modernist who??s never really gotten her due". Stettheimer was born in Rochester, New York to a wealthy family. She spent much of her early life traveling, studying art in Italy, Spain, France, Germany, and Switzerland. She studied for three years in the mid-1890s at the Art Students League in New York, but came into her own artistically upon her permanent return to New York after the start of World War I. In October 1916, the only one-person exhibition of her work during her lifetime took place at New York's Knoedler & Company. She exhibited 12 "high-keyed, decorative paintings", none of which were sold. Cushioned by family resources, Stettheimer refrained from self-promotion and considered her painting "an entirely private pursuit". She intended to have her works destroyed after her death, a wish defied by her sister Henrietta, her executor. Stettheimer's privileged position pervades her work. As one critic has written, "money she regarded as a birthright, decidedly not something to be flaunted in the shape of a dozen yachts, but rather to be used as a palliative against the more unpleasant aspects of the world outside








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