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Sheffield Merry Company in the Open Air Detail of an oval with a putto embracing Cart With red and White Ox -nn04- Abraham Hendrickz van Beyeren Angel Musician Le Divan Japonais Warkworth Castle Northumberland Thunder Slunj Valrico Matthieu, Georg David Cannelburg Sumperk The Port df The Richisau The Finding of Moses Fiddle Die Tanzstunde Duncan Allegory of winter eye glasses frame Carging Timber in the New Forest -37- Johannes Vermeer -30- Double portrait of the Shipbuilder fan r Maraza St Jerome in Prayer gfjgh Water Serpents I -20- Sketch for Paradise in the Sala del Magg A Young Lady Fete in a Wood The Raft of the Medusa The Abandoned Town -19- Leda dit Evening Landscape with Horsemen and Shep A Young Scholar Metropolitan Museum of Art,Manila St.Vincent in a Dungeon Homer The Threrr Graces -05- Modern Migration of the Spirit
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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