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Advances Madonna di Senigallia Beggar Boy Portrait of a Man -33- Cedargrove In Fosset The water risesmk98 Ecce Homo -05- The Robec Stream Casper Abbot H Thayer Judith with the Head of Holofernes Eel Spearing at Setauket Winter Scene in Brooklyn Caulksville Child with Flowers Kretinga Lamont ZOFFANY Johann Sir Lawrence Tadema Wabbaseka Sts Christopher, Jerome and Ludwig of To The Rest on the Flight into Egypt sfgs Rellow Twilight Santander The Judgment of Paris The Battle of Alexander -detail- bbb wood art frame Hester Street The Madonna of the Taper dfg Shah Jahan Riding on an Elephant Accompa Unter den Linden Ceremony late 1890s Emmen The Improvised Field-Hospital Regentesses of the Old Men-s Almshouse - Argenta Portrait of the Artist-s Mother af View of Snowdon Anthony Frederick Augustus Sandys James Gunn
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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