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Figure Capriccio, The Horses of San Marco in th Guitar in front of the sea Qazimammad Indian Scouts in the Moonlight -43- Regents of the St Elizabeth Hospital of Creede National Museum of Ireland Portrait of Duchess Ursula Mniszek framed photography Merahi Metua No Teha-amana The Miracles of San Bernardino- The Heal Expulsion - Moon and Firelight Thomas William Coke In the Black Country Socialcircle Phoenix Art Museum general nature scenery Youth Bitten by a Green Lizard Holy Family on the Steps af Amsterdam Serving Girls on the Gracht -n Portrait of the Artist-s Father Decin Five lady Portrait of Elisabeth Facobsdr.Bas -33- St Peter is Walking on the Water fd At the Palmist-s Altarpiece of the Virgin -detail- f Between Rounds Mahan s diabolic horse Christ and the Fallen Woman -detail- Portrait of the Art Dealer Alexander Rei Realistic Red Rose The Hammock Seldon Connor Gile Prince Felipe Prospero Burnettsville Salmon Two Gril Arm of the Seine near Giverny in the Fog
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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