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The Virgin and child with John the Bapti Vulcan-s Forge Winnebago MASOLINO da Panicale Cypress Trees at Cagnes Seated Man Holding a Branch Velesta Newbaden Still life of apples and herring in bowl The Goldfinch -08- Charles Collins life lombardi mattered pride still vince museum reproduction Portraits of Johann I and Frederick III The Artist and His First Wife, Isabella Allegory of Europe sg Thomas Hosmer Shepherd Rouen Violet Iris The Hight Priest Coresus Sacrifices Hims Caryatid -39- Desoto texas scenery The Tree of Crows Luis Daguerre Pierre-Joseph Proudhon Klimt Gustav Lem Picka Broadlands Raleigh-Durham Ritratto di ragazza or Portrait of a you Portrait of Mary Rogers- Lady Harrington Geghark'unik' wholesale oil painting Several Window William Sergeant Kendall Motherhood Johnson Coco Painting William Maw Egley Colona
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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