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The Last Moments of John Brown oil painting book artist book material oil painting techni Gathering of Actors from the Italian Com bed frame St Peter is Walking on the Water fd Farmhouse Mountain Landscape with Rainbow -45- Alpine Landscape Saukvillage Woodland The Architect Alexander Kokorinov An Actor Portraits d-Ernest Hoschede et de sa fil Richgrove DERUET, Claude Peasant Huts with Sweep Well Johannes Hoornbeek Eric Ravilious Stevensvillage Rockvale Clayton picture framer Altarpiece of the Rose Garlands Sup'sa Self-Portrait Time files Landscape with Waterfall Pineridge are wood frames The Entombment h The Madonna of the Franciscans Uncompromising Chinese Cup with Figs,Cherries and Goldf Mardi Gras creature night The Prospector pestrel The Temle of Janus The Washerwoman Wilton
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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