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Maderaacres CUYP, Benjamin Gerritsz. The Swing Poston Recreation by our Gallery Garden Scene The Green Romanian Blouse -35- Lying Cow -nn04- Greece on the Ruins of Missolonghi Newnan The Aqueduct at Marly Madonna and Child Female Model in Bright Red Jacket and Pa Greenmountainfalls An Election Entertainment f Redingtonbeach Roses and Bumblebees Sail boat and pine Portrait of a Courtesan Susanna Bathing Charles le Brun A Ship Aground. Christ Driving the Money Changers out of Monticelli, Adolphe-Joseph A Coast Line in Jamaica,West Indies Wedding Procession Acis and Galatea -17- St.Michael Venice- The Feast Day of St. Roch Diogenes Vittoria Caldoni Adoration of the Shepherds. Mrs Sarah Siddons dfg Lucas Van Valkenborch Portrichey The Annunciation and the Two Saints Absurd Strength The Meeting of Anthony and Cleopatra The Paladin Still Life with Fruit fhf
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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